Tennis Bodies Keep the Score

Tennis Bodies Keep
the Score

Tennis Bodies Keep the Score

Challengers understands this grim and grimy side of a sport so traditionally depicted as clean, tidy, and polite.

Challengers understands this grim and grimy side of a sport so traditionally depicted as clean, tidy, and polite.

By AJ Eccles
April 18, 2024

Zendaya and Iga at Indian Wells in March. // David Bartholow

Zendaya and Iga at Indian Wells in March. // David Bartholow

Art Donaldson’s feet are disgusting.

A six-time major champion—he holds two titles at each major except the US Open—Art’s body has been through the wringer. As a physiotherapist inflicts elastic stretches upon Art’s legs, the camera lingers on a broken blister on his elevated foot. This breaks a cardinal rule of tennis: If you see a player removing their socks, avert your eyes or suffer psychological damage. The shot is fleeting, but it sets the stage for a film that relishes in the ugly blights as much as the enviable virtues of the athletic body.

In Challengers, Zendaya plays Tashi Duncan, a rising tennis star who suffers a career-ending injury during a college match at Stanford. Forever in her orbit are Art (Mike Faist) and Patrick Zweig (Josh O’Connor), childhood friends and former Junior US Open doubles champions whose relationship has dissolved as a result of their increasingly toxic battle for Tashi’s affection. Art, now married to Tashi, who also serves as his star coach, has achieved once-in-a-generation success; Patrick remains broke and eternally stuck on the carousel of the Challenger Tour.

Challengers is at once a study of sporting psychopathy and a muscular Cruel Intentions nostalgia play, akin to Emerald Fennell’s edgelord extravaganza Saltburn. This picture is—shot for shot—more successful than Fennell’s flimsier production, thanks to both the maturity of the three performers at its center and the boundary-pushing approach to a sport that is too often sanitized in onscreen adaptation. Director Luca Guadagnino—who most viewers may recognize as the man who captured Timothée Chalamet swooning under the Italian sun of Call Me by Your Name—plays with our physical relationship to the sport, at points literally launching the viewer across the net in a ball’s-eye view, with all the thrilling frenetic disorientation that entails.

Where recent tennis flicks King Richard and Battle of the Sexes owed their real-life protagonists the formal trappings of the biopic, a genre increasingly buckling under its own weight, Challengers requires no such creative restriction. Guadagnino takes advantage of this freedom, exploring at once the aesthetic appeal of his stars and the messy underpinnings of tennis itself.

Appropriate, for a screenplay deeply obsessed with maturing bodies at work and at play.

Indeed, the two inciting incidents of the narrative are moments of bodily expression. First, a beer-soaked flirtation between our three protagonists in a New York hotel room, just hours after Tashi has lifted the trophy as Junior US Open champion. Scantily clad in post-effort athleisure, the three gradually move from the floor to the bed, where a three-way kiss becomes an opportunity for Tashi to assert romantic authority over her admirers.

Though sex is ultimately never explicit in Challengers, the exertion of tennis is suggestive throughout. Embodied in climactic screams of “Come on!” after passionate rallies (Tashi vividly describes tennis as a relationship in which two players can fleetingly connect in perfect motion), or in sweat dripping off Art’s nose onto the camera lens as if to drench the audience in his exhaustion, it’s invigorating to see Guadagnino explore athletic pursuits as cousins to sexual opportunity. This isn’t news: The Olympic Village is infamous as a cornucopia of international sexual trade, and tennis is not immune. Players who enjoy the opposite sex have regular opportunities as ATP and WTA tours converge, and those who relish same-sex encounters share intimate spaces all year long. Your favorite player probably fucks. 

"Canadian Doubles." / MGM Studios

"Canadian Doubles." / MGM Studios

Challengers’ second pivotal moment is Tashi’s catastrophic knee injury, which should come with a trigger warning for those of us who remember Bethanie Mattek-Sands’ gruesome knee snap at Wimbledon in 2017. Tashi’s knee crumples as she lunges for a ball just out of reach, the knee cracking and bulging under her skin. Rather than cut away—as any respectful sportscaster would in times of trauma—Guadagnino zooms in. You must watch and hear with startling clarity as Tashi’s career ends violently, too soon, filling the screen.

Though Tashi’s injury is the most visceral, she is not the film’s sole victim of tennis’ physical stress. Art is covered in wounds—particularly on his shoulder, where it’s hinted he suffered a similarly serious injury. Scars of multiple cuts are visible on his arm where a surgeon has supposedly patched the champion back together. And when Patrick lifts his shirt we see a red and purple bruise on his torso, perhaps the result of a fall or of a particularly brutal ball strike. These are young people in permanent disrepair.

Throughout Challengers, it’s difficult to separate these physical scars from the fate of real players on tour today: Tennis bodies are not perfect superhuman vessels for genius. To be human is to break.

Even at the top of the game we see players struggling with the reality of the human body. Rafa Nadal famously won his most recent Roland-Garros with his left foot entirely numbed by injected painkillers. Venus Williams has battled through Sjogren’s syndrome—an autoimmune disease that causes fatigue—for years. Matteo Berrettini, among the most physically admired men on the tour, suffered such intense stomach distress during one match that he was compelled to write “Imodium, Grazi” on an on-court camera post-victory.

Challengers, in all its frenzied psychosexual melodrama, understands this grim and grimy side of a sport so traditionally depicted as clean, tidy, and polite.

Is the film without flaw? No. An overreliance on slow-motion sometimes crosses over into the absurd. This is particularly true in the third act, where a tense match begins to overstay its welcome in a manner not seen since Isner vs. Mahut, halting momentum right as it should be racing toward a climax. The tennis itself is not always rendered perfectly, especially the ever-difficult-to-replicate service motion. Tashi and Patrick have particularly egregious service form, though in fairness to O’Connor’s performance, it should be pointed out that Patrick’s exaggerated motion is essential to the plot.

These minor distractions matter, but not enough to detract from the thrill of seeing tennis finally allowed to get a little dirty on the big screen. To see the joyous messiness of the sport—and the fragile humans who play it—rendered with fleshy exuberance.

As audiences experience Challengers in the weeks leading up to Roland-Garros, we should be open to kicking up some clay and inviting the dirt to stick to our blistered skin a little. Just please don’t take your socks off.

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The Patron Saint of Painful Sincerity

The Patron Saint of Painful Sincerity

The Patron Saint of Painful Sincerity

Tennis has grown up around Stefanos Tsitsipas.

Tennis has grown up around Stefanos Tsitsipas.

By Giri Nathan
April 12, 2024

It's a beautiful backhand. Stef in Monte Carlo. // Associated Press

It's a beautiful backhand. Stef in Monte Carlo. // Associated Press

We used to think about Stefanos Tsitsipas—not so much these days. What happened? This is a man who played in a Slam final just last season. And his buzziest feat thus far in 2024: falling out of the top 10, marking the first time since the ATP rankings were established in 1973 that there were no one-handed backhands in that elite tier. A neat factoid…also a nonideal reason for people to be talking about you. Tsitsipas first debuted in the top 10 back in 2019, a few weeks after his brilliant upset of Roger Federer in the fourth round at Melbourne—and his subsequent request that the entire stadium subscribe to his burgeoning YouTube channel. The patron saint of painful sincerity had been marinating in the top 10 for nearly five straight years before finally slipping out of it in February. The guy barely even posts to YouTube anymore. He has found love off court, with fellow pro Paula Badosa, but both of them are slumping. When it comes to on-court performance, Tsitsipas has not, as a wise Greek philosopher once prescribed, nourished his sensations very dutifully. He ended the 2023 season bowing out of his last tournament with a back injury so bad he struggled to get out of bed.

It wasn’t supposed to be like this. Once upon a time it looked like this talented player might take over the game from the Big Three, but instead a bunch of egregiously talented kids cut him in line. So blame Carlos Alcaraz and Jannik Sinner, who snuck in their Slams while this 25-year-old continued to roll his boulder, and then throw Holger Rune into that mix for good measure. Tsitsipas has also ceded ground to his long-legged contemporaries Daniil Medvedev and Sascha Zverev, who are staying competitive with the new blood in ways Stef hasn’t quite managed. There are some more curious names, too. I did not predict a day where Alex de Minaur would pass up Tsitsipas in the rankings, but that’s the current state of affairs. Tsitsipas is liable to dispense a win to anyone who wants one. Denis Shapovalov, playing with a protected ranking, wants a heartwarming win in Miami as motivation to keep going? Stefanos has got you: 6–2, 6–4, keep it up. (First top-20 win for Shapo since October 2022.) It feels a bit like tennis has grown around Tsitsipas as he sat relatively unchanged. The holes in his game have been public knowledge for years—dicey return game, the one-hander when rushed, a weak slice repertoire—and he hasn’t meaningfully patched them up.

If there were ever a place for a Tsitsipas rebound, it would be amid the crags and waves of the Monte Carlo Country Club, where he has won two 1000-level titles, even though that history hasn’t been enough to earn him an assignment this week, which he has sheepishly pointed out himself in interviews. Through three matches, Tsitsipas has looked like the natural he once seemed to be. He is an uncommon fusion: on the one hand, an all-court player who loves to follow his forehand to the net and carve up tough volleys; and on the other hand, a red-stained clay-courter to his core. The slower surface is good for his ground game, giving him extra time to solve some (if not all) the problems on his backhand side. He doesn’t mind diving for those stab volleys and getting dirty; he has endurance enough for the lung-busting points, and he can play with big spin when he wants to. There’s real value in players like Stef who can go a bit bolder and shake up what can feel like a monotonous clay swing ruled by the grindiest grinders.

As his third-round match against quasi-rival Zverev proved, Tsitsipas is far from a perfect player, but he is at least starting to look like the old Stefanos again. He’s still haunted by his own backhand, which far too often underdelivers in depth and bite, but that wing held up well enough to pull off a gorgeous running crosscourt pass to break serve and secure the first set. Tsitsipas rolled all the way to 5–0 up in the second set, too, before he fell into “a loophole of mistakes and errors,” as Zverev pushed his way to a tiebreak. There the Greek finally got his shit together, both in the micro (he won it 7–3) and the macro (he secured his first win over a top-five player since 2022), and in characteristically Stef fashion, he called this third-round straight-set victory “an adventure of a lifetime.” Okay, dude. Meanwhile he also just posted a vlog to his YouTube channel for the first time in a year—a sign of life if I’ve ever seen one.

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The Hopper

—Giri on Danielle Collins’s tremendous run in Miami, from Defector.

—Venus Williams, published author. 

—Lots of fun action at the Billie Jean King Cup

—Rafa is trying to come back in Barcelona next week.

—Gorilla vs. Bear vs. TSS: Mix 1. 



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Gorilla vs. Bear Mix 1

Gorilla vs. Bear
vs.
The Second Serve

Gorilla vs. Bear
vs.
The Second Serve

The iconic music blog graces TSS with Mix 1, an eclectic mix of some of their favorite jams of 2024 (so far).

The iconic music blog graces TSS with Mix 1, an eclectic mix of some of their favorite jams of 2024 (so far).

By TSS
April 5, 2024



The Hopper

—It’s official: The WTA Finals are moving to Saudi Arabia

—But Ons Jabeur is into it. 

—And same sex couples will be allowed to share rooms, which is very magnanimous of them. 

—“Coach” Craig Shapiro interviews Jose Higueras about his open letter on the state of American tennis on his eponymous podcast

New rules, designed to speed up the game, will be tested during the doubles in Madrid. 

—Monte Carlo starts next week, if you’re going here’s a guide.

—However Rafa won’t be there. 

—Clay magazine interviews Yannick Hangman about Alexander Zverev and other things.

—Goran Ivanisevic tells Tennis Majors he was ready to die for Novak.



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Postcard from Indian Wells

Postcard from
Indian Wells

Braving the desert vortex with the best players in the world at the BNP Paribas Open.

Braving the desert vortex with the best players in the world at the BNP Paribas Open.

Photography by David Bartholow
April 4, 2024

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Ice Ice Baby

Ice Ice Baby

Ice Ice Baby

Don’t take Elena Rybakina for granted.

Don't take Elena Rybakina for granted.

By Giri Nathan
March 29, 2024

Elena Rybakina is quick to the point in Miami. // Associated Press

Elena Rybakina is quick to the point in Miami. // Associated Press

Elena Rybakina is both here and not. Her calendar’s been littered with withdrawals over the past year. The world No. 4 often seems to be battling something—most recently a gastrointestinal illness that saw her walkover in Dubai and skip Indian Wells altogether, forfeiting the 1000 points she earned by taking the title in the desert last year. But whenever she’s actually there, on court, she’s certain to be whupping someone something terrible. You learn not to take her for granted. She’s like that elusive friend you’re lucky to pin down a few times a year, and it feels precious every time you do, if only your friend could also serve 125 mph and betray no recognizable emotions while doing so. Your friend could never win Wimbledon and offer the world only the tiniest fist pump and exhalation. That’s a whole other plateau of cool. 

Sometimes Rybakina’s cool manifests in effortless deletion of her opponents. That was her mode this time last year, when she was barreling through the hard-court season, just falling short of a Slam in Melbourne and barely missing out on the Sunshine Double. Right now Rybakina’s form isn’t quite that pristine, but if anything, it’s made her wins that much more compelling. You have to get yourself into some adverse situations for the ice to really shine. On that theme, Rybakina has lost 69 games at this tournament, the most of any Miami finalist since the event began in 1985. She’s cast herself into some complicated three-setters, and along the way she’s thrown her racquet around, gotten a wildly uncharacteristic code violation for ball abuse, and bickered nonstop with her chatty coach Stefano Vukov, only to fatefully blast her way through the pressure regardless.

Truly, no easy matches for Lena in Miami. To open her tournament, a pair of three-setters against qualifiers: the powerful Clara Tauson and the mix-it-up ingenuity of Taylor Townsend. Rybakina briefly caught her breath with a straight-setter against Madison Keys. (Imagine being good enough to “catch your breath” against a booming Madison Keys on a hard court.) Then in round 4 Rybakina was assigned the freshly resurgent Maria Sakkari, who is all zenned out and challenging the WTA royalty once again. Rybakina got match points in the second set but couldn’t finish the job, and as she botched it, she was fighting so vocally with her coach that Sakkari couldn’t help but grimace and smile from across the court. It was over an hour later, on her fifth match point, that Rybakina managed to serve out the match with new balls. So that was two hours and 48 minutes of toil.

In any fight, it helps to have the biggest weapon, and Rybakina will nearly always claim that honor with the nastiest serve on the WTA. She struck 10 aces against Sakkari. She added 11 more in a fascinating and bizarre semifinal against Vika Azarenka, yet another three-setter. After taking the first set, Rybakina physically and mentally vanished in the second—her first bagel set received since August 2022—and then she looked to be in a temporary panic while trying to serve it out at 5–4 in the third, losing conviction in her net game. Azarenka broke, then held, and suddenly Rybakina was serving to stay in the tournament. No sweat: Simply cue up a cold sequence of servebot-like unconsciousness, winning 10 of 11 points to blow open the deciding tiebreak.

“I switched off the mind a bit for the tiebreak and I just went for it,” she said after a win that put her at 22–3 on the season. South Florida has one last challenge for this chilly killer: Switch off the mind during a title fight against a rolling Danielle Collins, whose backhand is fearsome enough to do cross-court battle with Rybakina’s impeccable two-hander, and who will be yelling more than enough to offset her quiet. Something tells me this one’s going three.

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The Hopper

—Andy Murray is injured, and it doesn’t look good.

—Agassi, Roddick, Gauff… Zendaya. Brad Gilbert consulted on the film “Challengers”, via Joel Drucker.

—Africa’s tennis talents tread long road to success, via The Guardian.

—Novak Djokovic and Goran Ivanisevic have broken up.

—Cool meditation on journalism ethics here, from Defector.


ICYMI from TSS

—Vicente Muñoz’s postcard from Phoenix



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Voyage of the Beagle

Voyage of the Beagle

Voyage of
the Beagle

Darwin Blanch “understands the geometry of the court like it’s his living room.”

Darwin Blanch “understands the geometry of the court like it’s his living room.”

By Giri Nathan
March 22, 2024

Yung Darwin Blanch is growing up fast. / Associated Press

Yung Darwin Blanch is growing up fast. / Associated Press

Some old names returned to court this week. Simona Halep back after a shortened doping suspension, Kei Nishikori back after what feels like a century of injuries. Both out in the first round but both, for different reasons, happy to even be out there at all. Generally, though, tennis seems to belong to the kids these days. Iga and Carlitos just won in the desert; Djokovic fell early last week and is totally absent in Miami, freeing up the draw for the youth. And gazing even further out to the future, look at the unusual wild card in Miami granted to 16-year-old wunderkind Darwin Blanch, perhaps the most auspicious young name in American tennis right now. Blanch is not yet ranked inside the top 1000 on the ATP. A player that fresh and unproven might typically just get a wild card into qualifying, but he was granted entry straight into the main draw, which is either a testament to his rare talent, or a reminder that this tournament is owned and organized by IMG (the agency that represents Blanch), or both.

The truth is, he’s too good to need to rely on favor-trading. Blanch, who really does look like Ben Shelton if drawn from memory, already has a fine résumé to go with a worldly backstory. Darwin speaks four languages and spent his early childhood in Thailand, where his dad cleared out palm trees to put a tennis court in the backyard and hired a full-time instructor for the four Blanch siblings, all of whom developed into serious players. (Challenger tour connoisseurs might recognize oldest sibling Ulises, who reached a career-high No. 236 on the ATP.) Growing up, the Blanch kids made periodic trips to Florida to train with Rick Macci, who has helped coach a slew of American stars, including the Williams sisters, Andy Roddick, and Sofia Kenin. With respect to raw potential, Darwin, the youngest of the siblings, inspires the most awe. Macci has said that Darwin “understands the geometry of the court like it’s his living room,” that he will have one of the best forehands in pro tennis, and that he has the most biomechanically sound serve of any boy he’s ever coached. Macci has also written this very odd thing that I’m choosing to interpret as a high compliment: “The muscle memory is brainwashed to optimize execution in sync so you do not have a technical flaw.”

That hyperbole has been backed up by some stunning results to date. Darwin thrived as a junior, winning the prestigious under-16s at Kalamazoo as a 14-year-old in 2022. Earlier that same year he became the second-youngest player ever to win an ATP ranking point, by winning a match at the M15 in Villena, Spain. As he transitions into the pros, Blanch has already proved to be a popular hitting partner, getting in a session with Holger Rune this week in Miami and sparring regularly with Carlos Alcaraz at the Juan Carlos Ferrero Academy, where they both train. A 15-year-old Blanch was in fact the last person to hit with Alcaraz ahead of the 2023 Australian Open; Carlitos hurt himself going into the splits to retrieve a ball and had to pull out of the tournament, so feel free to blame that absence on Blanch’s too-good drop shot.

As the fifth-youngest player to ever appear in a Masters event, Blanch was predictably overmatched in his first-round match against Tomas Machac, the rapidly rising Czech ranked No. 60. The youngster, who had never played anyone ranked inside the top 200, handled himself well and had some cool flashes in the 6–4, 6–2 loss. It’s not all that hard to see the eventual vision. When I watched him play up close at the junior tournament in Roland-Garros last year I came away impressed: 6-foot-3 lefty, serve and forehand as punchy as Macci promised, a bit of lanky gawkiness that he’ll grow out of. He says his goal is to break into the top 500 this year. In American tennis circles, Blanch is already talked about with the hushed tones reserved for outright messiahs, a tone that has not been used for a few generations. We’ll see if he holds up—or if he lands in hot water, wilts, and needs an immediate ice bath. Is there a word for that?

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The Hopper

—The USTA’s Lew Sherr talks tennis’s Premier Tour with L. Jon Wertheim. 

—Chris Eubanks has signed on as a clothing ambassador for J Lindeberg.

—The legendary Casa Magazines shop in New York City has been sold

—Tim Newcomb interviews Tommy Paul. 

—The self-described “Fifth Grand Slam” talks mushrooms and tennis with Giri Nathan.

—Aryna Sabalenka’s ex, Konstantin Koltsov, has died


ICYMI from TSS

—We recap the Liveball Invitational at Mission Hills, brought to you by Brain Dead and LVBL

—Joel Drucker’s history of the early days of Indian Wells. 

—Vicente Muñoz’s postcard from Phoenix



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Three Surface Slam

Three Surface Slam

LVBL and Brain Dead host the inaugural all-surface Dead Ball Invitational at the original home of Indian Wells.

LVBL and Brain Dead host the inaugural all-surface Dead Ball Invitational at the original home of Indian Wells.

By TSS
March 20, 2024

On March 10, LVBL and Brain Dead held the first all-surface Dead Ball Invitational at the iconic Mission Hills Country Club in Rancho Mirage, original site of the Indian Wells Open, known in the 1970s as the American Airlines Tennis Games. The Wilson-sponsored tourney, which featured 150 participants in two brackets, hosted vigorous all-day liveball competition and marked the launch of the new Brain Dead Equipment tennis line, which was revealed at the event and is now available online and at all Brain Dead stores, including Brain Dead Fabrications in Silverlake, Los Angeles, where you can also pick up a copy of The Second Serve “Vol 0.5”.

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Sakk Attacks and Rune Runs

Sakk Attacks and
Rune Runs

Sakk Attacks and Rune Runs

At Indian Wells, Maria Sakkari finds her form, while Holger Rune showed what the future may hold.

At Indian Wells, Maria Sakkari finds her form, while Holger Rune showed what the future may hold.

By Giri Nathan
March 15, 2024

Maria Sakkari // David Bartholow

Maria Sakkari // David Bartholow

Something about the desert must be restorative for the brilliant if self-sabotaging Maria Sakkari. No matter her surrounding woes, she seems to arrive in Indian Wells with the clearest mind and biggest punches. She made the final in 2022, at which point she fell into the blender of the Iga Swiatek 37-match win streak. That result pushed Sakkari into the top 3 for the first time. Returning to Indian Wells in 2023, she fought to the semifinal and lost to an ascendant Aryna Sabalenka. Now Sakkari is back in the semifinal, sloughing off an inconsistent few months, playing the best tennis in recent memory. Hear it from the source: “I cannot remember the last time I played that well in a lot of matches,” Sakkari said after her three-set win over Emma Navarro in Thursday night’s quarterfinal.

Watching courtside as she rolled through Caroline Garcia in the second round, I was reminded just how compact and combustive Sakkari’s tennis can be. In my mind I’ve been replaying this one inside-in forehand, so artfully disguised that I would have signed documents stating that it went cross-court even as my eyes saw it three-quarters of the way down the line for a winner. She covers ground with the conviction of a sprinter—she once considered moonlighting as one—and serves far more imposingly than 5-foot-8 might suggest. Locked in, she looks unplayable. Sustaining that for the duration of a high-stakes match has proved to be its own puzzle, particularly when rewards are greatest. In 2023 she tumbled out of the first round in the year’s last three majors. And in decisive moments, those ground strokes can turn tentative and muscle-bound. This week she described herself as “a very stressful person” but praised her brand-new coach David Witt—recently in Jessie Pegula’s employ—for being a funny dude and breaking the tension.

Wins can still do things that a coach cannot, and Sakkari’s third-round victory over Diane Parry was your industry-standard confidence builder. Parry, a young French player with a serious and stylish game, went up an early break in the deciding set. Sakkari wrenched that match out of Parry’s grasp with a nasty backhand pass to break back in the 2–3 game. Three consecutive games later she was howling with typically Sakkarian intensity, the comeback complete. She’s been solid under duress all week. The next challenge for Sakkari is Coco Gauff, who would sit on the same elite tier if there were a WTA draft combine, but she’s up for the test. “Well, it’s nice to have girls that are actually athletic and fit,” she said, looking ahead to the duel of jocks. “Then you feel like, okay, it’s time to challenge myself and play against someone that is equally as fit as I am.”

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Holger Rune // David Bartholow

Holger Rune // David Bartholow

Holger Rune is no longer alive in the draw at Indian Wells, but his tennis this week was a reminder of how essential he might be to tour chemistry over the next decade. Yes, Carlos Alcaraz; yes, Jannik Sinner. Every time those two play is precious, and this is an instant-classic rivalry between well-mannered young fellas, one I’m overjoyed to witness and document in years to come. But you’ve also gotta have some Rune mixed in, someone to bring a little malice into the proceedings. That’s the recipe. What good is a totally purehearted tennis duopoly without some darker energy intruding from the margins?

Rune might just be too good to remain marginal, anyway, as I was reminded while he pieced together his comeback against Taylor Fritz in the fourth round on Wednesday. Late in the match, Fritz was serving well-placed bombs in the mid-130s, as is his nature. I wasn’t aware it was an option to take full cuts at said bombs, as if they were being fed harmlessly out of a hopper, but Rune did that over and over, staggering Fritz onto his back foot before he’d finished his service motion. There’s a restlessness, a slightly caged feeling to Rune’s tennis at its best, as he stalks around in his short-shorts and does vicious things to the ball as soon as possible. He brought some of his best to his windy quarterfinal with Medvedev, a spicy meeting between two guys with mutual fondness for a sneer. Medvedev took it in two close sets, and later praised Rune for being the sort of player who never gives you any rhythm to work with. While Rune has yet to define his own brand of tennis as confidently as Sinner and Alcaraz already have, he has proved that he has tools to bother the best, and needs to find a way to replicate that week to week.

This week was a well-needed rebound. Before the Fritz win, Rune had lost seven of his last eight against top 20 players. Partly this is because he was playing the tail end of last season through a back injury (and really looked it, too). The offseason must have been physically restorative, though it still didn’t resolve all doubts around his camp. After speed-dating coach Boris Becker, he has reunited with Patrick Mouratoglou, who has not covered himself in glory throughout the Simona Halep doping saga. Still, after listening to the recent interview our pal Craig Shapiro did with Holger’s mom, Aneke, I came away thinking that the Rune operation was pretty thoughtfully run as a whole. And after all, as Rune wrote in this tweet—which is either perfect deadpan or unintentional comedy—mom will remain in charge of all his supplements.

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The Hopper

—Giri Nathan and Patrick Redford interview the hero who humanely vacuumed thousands of bees out of a tennis stadium.

—Indian Wells has added mixed doubles.

—The self-described “Taste of Tennis” interviews Jim Courier on his Craig Shapiro Tennis Podcast.

—Tim Newcomb reviews all the stadiums at the Indian Wells Tennis Garden.

—Novak Djokovic is not playing Miami.

—Netflix has cancelled Break Point, but has announced a Carlos Alcaraz docuseries.

—The Saudis have made a $2 billion take-it-or-leave-it offer for tennis.

—Roger Federer signs on with Oliver Peoples.

—The International Tennis Hall of Fame has launched a cool online exhibit of tennis trophies.



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Postcard from Phoenix

Postcard from
Phoenix

While the tennis world focuses on the action at Indian Wells, we check in on the Challenger series Arizona Tennis Classic, where many players bounced early from The BNP Paribas Open are getting some reps.

While the tennis world focuses on the action at Indian Wells, we check in on the Challenger series Arizona Tennis Classic, where many players bounced early from The BNP Paribas Open are getting some reps.

Photography by Vicente Muñoz
March 14, 2024

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Down in the Flood

Down in the Flood

Down in the Flood

The long and watery road to tennis paradise.

The long and watery road to tennis paradise.

By Joel Drucker
Originally Published March 13, 2024

The American Airlines Tennis Games was held at the Mission Hills Country Club from 1976-1980, when the semi-finals and finals were rained out. // Source and date unknown

The American Airlines Tennis Games was held at the Mission Hills Country Club from 1976-1980, when the semi-finals and finals were rained out. // Source and date unknown

If you don’t tame nature, nature will tame you. Certainly, that’s the way it works in Southern California’s Coachella Valley. Marked by the desert’s distinct blend of austerity and beauty, this community also happens to house tennis’ near-Slam event, the BNP Paribas Open.

The year 2024 marks the tournament’s 25th at the Indian Wells Tennis Garden, home of a lush and tactile tennis feast highlighted by match courts of various sizes, now-tall trees, ample shade, comfortable lawn chairs, hundreds of television monitors, clothing boutiques, equipment vendors, beverages galore, and food selections that span from a sit-down meal at Nobu to a pretzel, joyfully scarfed while strolling and gazing at one practice court after another.

To best grasp how tennis eventually bloomed in the Southern California desert, one must break time into two eras: BTF and ATF. BTF stands for Before the Flood—a February 1980 disaster that forced the tournament to cease play at the semifinal stage. This was the moment when nature kicked the tournament’s ass and provided tennis’ powers-that-be with a rationale for relocating this event from California to Florida.

ATF—After the Flood—defines the period that began in 1981, when former U.S. No. 1 Charlie Pasarell resurrected the tournament and repeatedly tamed and reshaped nature in ways few dared imagine. Over the next 19 years, Pasarell envisioned and, aided by a nimble team, created three increasingly bigger venues—La Quinta Resort & Club from 1981 to ’86, the Hyatt Grand Champions from 1987 to ’99, and, since the year 2000, its current 54-acre spot.

This story largely confines itself to BTF, starring a pair of deserts nearly 400 miles apart. Fifty years ago, there arrived the American Airlines Tennis Games. Held in 1974 and ’75 in Tucson, this was an event owned not by an independent promoter but by the fledgling Association of Tennis Professionals (ATP).

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John Newcombe “guns down” Stan Smith during the first installment of the American Airlines Tennis Games—later the Indian Wells Masters—in Tucson, AZ, 1974. // Old Tucson Studios

Formed in 1972, the ATP in its early phase was strongly focused on player empowerment. The ATP’s 1973 boycott of Wimbledon was a game changer, conclusively making it clear that players would not be bossed around by administrators. Later that summer came the computer rankings, a performance-based way to enter tournaments that eliminated the invitational approach that had previously been the law of the land.

Ownership of several high-profile events would also help the ATP generate revenue. Year one in Tucson was fantastic. The entry list featured such greats as Rod Laver, Arthur Ashe, John Newcombe, and Stan Smith. The latter two at that point constituted a major rivalry, inspiring ATP PR man Richard Evans to create a compelling photo opportunity of the two mustachioed greats squaring off in cowboy regalia at a place right out of Hollywood’s vintage Westerns, Old Tucson. Lo and behold, Newcombe in the semis squeaked past Smith in a third-set tiebreaker worthy of High Noon and went on to beat Ashe in the finals. According to Evans, “right away there was a sense that this event was something big.” But after one more go in Tucson, the ATP opted to head west to the Palm Springs area.

In this specific desert, time is another factor; more pointedly, time, memory, and the evocative allure of the political leaders and entertainers whose names literally define the streets of this area some 120 miles east of Los Angeles. Gerald Ford Drive. Eisenhower Medical Center. Bandleader Fred Waring. Gene Autry, nicknamed “The Singing Cowboy.” Singer Dinah Shore. Comedian Bob Hope. And, of course, looming over all names and places, the Chairman of the Board, Frank Sinatra. This week, as the Sinatra song “Young at Heart” echoed through the lobby of one of the BNP Paribas Open’s official hotels, a woman turned to me and said, “You can’t go anywhere here without hearing him.” If the spirit of constant real estate development is always taking the Coachella Valley into the future, the retro pull of those names summons the past, cocooning residents and visitors alike in comfort and familiarity. As the years go on, will streets be renamed for more recent entertainment icons? Madonna Drive? Leonardo Lane? Robin Williams Boulevard?

Year-round sunshine and California’s seemingly inherent spirit of aspiration and status had long made the Coachella Valley a lively tennis community. For decades, Palm Springs’ most prominent tennis hotbed was The Racquet Club, a cozy, welcoming venue favored by actors, directors, producers, agents, and their many friends and associates in such burgeoning fields as real estate, entertainment law, and other business ventures. Back in the early ’60s, UCLA stars Ashe and Pasarell spent time at The Racquet Club playing hit-and-giggle tennis with various celebrities. One of Pasarell’s first partners who rapidly became a close friend was a woman then named Barbara Marx, in 1976 to become Barbara Sinatra.

Frank Sinatra and Barbara Marx at the Dinah Shore Golf Classic, 1973 // Getty

That was the same year the tournament commenced its run in Rancho Mirage at Mission Hills Country Club. Known to all as “Mission Hills,” the venue had opened in 1971 and was purchased in 1974 by, of all corporations, Colgate-Palmolive. These were the years of the conglomerate, when even a company primarily known for its toothpaste perceived value in diversifying its holdings; not just into more packaged goods, but even into real estate and the newly emerging world of sports marketing. Colgate-Palmolive’s leader, David Foster, loved golf and tennis. The Colgate–Dinah Shore Winners Circle, held at Mission Hills, became a major LPGA stop. Foster purchased Bancroft, the racquet manufacturer that made the frames used by Billie Jean King and Björn Borg, featured King in Colgate ads, and also made Mission Hills the spot for the WTA Finals and the 1978 Davis Cup Challenge Round. An ATP event fit nicely into the portfolio.

Jimmy Connors, Laver, Borg, Newcombe, and Ashe were among the headliners that first year. Former U.S. No. 1 and recent Davis Cup captain Dennis Ralston had just come aboard as tennis director. A brilliant coach, Ralston proved a magnet, to the point where such top players as Roscoe Tanner, Tom Gorman, John Lloyd, Chrissie Evert, and many others all began to train at Mission Hills.

“The atmosphere and the tennis environment were incredible,” says Tommy Tucker. “So many of the best players in the world were here all the time.” Brought to Mission Hills by Ralston in 1977 to be the head pro, Tucker has been there ever since, engaged in everything from coaching tons of pros to conducting star-studded pro-ams and clinics to giving lessons to players of all ages and stages. “Tommy was always positive,” says Brian Gottfried, winner of the tournament in 1977 and a frequent participant in training sessions at Mission Hills. “He always had a smile and kept everything fun.”

But amid all the great competition and camaraderie, nature made its presence felt during those early years, most notably by numerous windstorms that could reach as high as 50 miles per hour, an intrusive factor accelerated by Mission Hills being smack in the path of 4,000 windmills located 15 miles to the northwest.

That was nothing compared to what happened in 1980. That February, floods came that drove thousands of people from their homes—a record 17-plus inches of rain. As a levee broke, streets turned into rivers. Six counties were declared disaster areas. Property damage exceeded hundreds of millions. The tournament got underway, but the conditions were becoming increasingly horrible. “We had sand in our eyes and our nose and our mouth,” says Tucker. Eventually, it was decided to stop play at the semifinal stage, a quartet of Americans—Connors, Gene Mayer, Brian Teacher, Peter Fleming—still in contention. “It just rained and rained,” says Teacher. “It was strange being in the desert and being rained out. You don’t expect that to happen, but it did.”

The tournament lost $80,000 that year. Though surely it would have generated a profit had it been able to finish, the ATP’s leaders were leaning strongly in the direction of completely ditching what they perceived strictly as a tiny town located in a desolate California desert. Florida would be much better. Call it an East Coast mentality.

Charlie Pasarell brought the tournament to La Quinta Resort & Club in 1981 // Getty

But one ATP board member passionately disagreed. Pasarell had just started to work as head of tennis for Landmark Land Company, a firm that had purchased La Quinta Resort & Club in 1977. Arguing the area’s case to the ATP, Pasarell pointed out that Coachella Valley was located a swift two-hour drive from the country’s second-biggest city, Los Angeles. Millions more from all over California, Nevada, Arizona, and even the East Coast loved the chance to head to the desert for sun and fun.

And so Pasarell was granted the sanction to run the tournament at La Quinta—a mere 10 weeks prior to the start of the tournament. The ATF Era had begun. “There was no question in my mind that this area had all it took to support a first-rate tennis tournament,” said Pasarell. The three stadiums he built also validated another facet of desert life: If you don’t build it, they won’t come. Or perhaps there’s a better motto for the tournament. As Sinatra sang, “I’ve lived a life that’s full/I traveled each and every highway/And more, much more than this/I did it my way.”

The Indian Wells Tennis Garden as we know it today: Tennis Paradise. // Associated Press

Joel Drucker has covered the BNP Paribas Open at three venues, starting with a day trip from Los Angeles to La Quinta in 1983.

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