Boss of Bosses
Boss fo Bosses
A look back at the 2024 Boss Open, as featured in
OPEN Tennis Volume 1.
A look back at the 2024 Boss Open, as featured in
OPEN Tennis Volume 1.
Photography by Marcelo Gomes
Featured in Volume 1 of OPEN Tennis — BUY
Boss of Bosses
Boss of Bosses
A look back at the 2024 Boss Open, as featured in
OPEN Tennis Volume 1.
A look back at the 2024 Boss Open, as featured in
OPEN Tennis Volume 1.
Photography by Marcelo Gomes
Featured in Volume 1 of OPEN Tennis — BUY











































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Postcard from Roland-Garros
Postcard from Roland-Garros
Postcard from Roland-Garros
Rewinding the sights and sounds of the
2025 French Open.
Rewinding the sights and sounds from the 2025 French Open.
Photography by David Bartholow
June 5, 2025















































































































































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The Roland-Garros 2025 Shoe Report
The Roland-Garros 2025
Shoe Report
The
Roland-Garros
2025
Shoe Report
The Fashion Slam brings colorful footwear into play.
The Fashion Slam brings colorful footwear into play.
By Tim Newcomb
May 30, 2025


Let’s coin Roland-Garros the Fashion Slam. That includes the footwear, especially as brands experiment with color anew each spring in Paris.
While the Happy Slam kicks off tennis’ major calendar each January in Australia, often with bold, summer-forward kits, for Roland-Garros, brands typically welcome an array of springtime colors and graphics, and generally roll out fresh takes on on-court tennis fashion. Whether it’s Nike mixing in a bounty of different footwear options for players on the red brick, Wilson offering up a classic colorway for sponsored players, New Balance giving athletes a gray-focused approach, or custom touches throughout the tournament, Roland-Garros showcases a diverse and fashion-forward collection of footwear befitting its Paris address (even if some of the best examples were one-round wonders).
Carlos Alcaraz
Nike Vapor 12
The fully customized Carlos Alcaraz shoes from Nike—cast as a Nike Vapor 12—give the four-time major winner his own colorway within the Nike family. The largely black, white, and light blue sneakers match his kit and include a small red logo on each heel.

Getty

Getty
Andrey Rublev
K-Swiss K-Frame Speed Rublo
K-Swiss hasn’t yet launched the brand-new K-Frame Speed Rublo, designed in conjunction with Andrey Rublev, but the world No. 15 is sporting the shoe that will launch July 1. In Paris, his version is yellow and black.

Images courtesy of K-Swiss

Images courtesy of K-Swiss
Coco Gauff
New Balance CG2
Each May, New Balance celebrates the brand’s “Grey Days.” Coco Gauff’s signature shoe joined the mix with the Coco CG2 x Roland Garros, where the gray steps back to reveal the “linen” and “dusk shower” light blue. The grayed-out linen color features true gray on the outsole and heel, and the blue-gray dusk shower tone is seen in the midsole and the “N” logo. New Balance says Gauff “wanted a mix of a coastal vibe with a French Parisian style” while opting for a “classic and mature” design.

Image courtesy of New Balance

Image courtesy of New Balance
Novak Djokovic
Asics Court FF3 Novak
There’s a color update for Novak Djokovic and the 2025 clay season. For Roland-Garros, the Asics Court FF 3 Novak goes white and “electric red” while including the Djokovic logo.

Images courtesy of Asics

Images courtesy of Asics
Naomi Osaka
Nike GP Challenge 1
One of the best colorways of the tournament lasted only three sets. Nike and Naomi Osaka continued the pair’s 2025 flower theme for Roland-Garros, offering up a GP Challenge 1 in a “Sakura” design (cherry blossom), full of four different pink shades across the shoe. Paired with white, the pink cherry blossoms matched Osaka’s kit. “Spring is Sakura season,” Osaka wrote on Instagram before the tournament. “The girlies are gonna love this one.”

Images courtesy of Nike

Images courtesy of Nike
Marta Kostyuk
Wilson Intrigue
In another example that didn’t make it out of round 1, Marta Kostyuk’s Wilson Intrigue colorway is fortunately not tied to just her model. The Wilson footwear line, inspired by the colors seen “on an afternoon in Paris during clay season,” features the Intrigue and Rush models with a white base and classic striping of red, orange, yellow, green, and blue. Possibly the best touch, though, is the scrumptious gum sole.

Images courtesy of Wilson

Images courtesy of Wilson


Yonex players are mostly in the Eclipsion 5 clay version, with “ink blue” for men and “dark navy” for women. In a fun touch from the Japanese brand, sponsored players typically have their name and country’s flag included on the upper.
The mainline Nike options for Roland-Garros feature two key colorways. One is, according to the brand, dusty cactus, pale ivory, metallic silver, and dark team red, while the other is deep night, pale ivory, metallic silver, and light crimson, including World No. 1 Jannik Sinner finally switching to a Nike Zoom GP Challenge 1. Both options come with a silver-accented, Paris-inspired tongue logo and a metallic silver lace tag.
adidas has five different models hitting the red brick of Roland-Garros, with the Barricade, Defiant Speed 2, Ubersonic 5, Cybersonic, and Avacourt 2. Throughout it all, adidas embraced neon yellow, although black is also an option for the athletes.
Speaking of neon yellow, On outfitted its players—Joao Fonseca, Ben Shelton and Iga Swiatek—in a “lime” and “limelight” colorway of the Roger Pro 2 Clay.
Sneaker free agent Frances Tiafoe continues to wear K-Swiss, and this tournament his K-Swiss Ultrashot 4s match his blue Lululemon kit.
Reilly Opelka has an all-pink Fila Axilus 3 Energized, breaking away from the white-based colorway most Fila-sponsored players are wearing.
Daniil Medvedev wore a dark blue and purple player-edition model of his Lacoste AG-LT shoes during his first-round loss that featured his name on the tongue.
Babolat players are opting between orange and black footwear options in Paris.
While Leylah Fernandez lasted only one round this year, she is continuing to wear her father’s unreleased Aesem Athletica shoe.

Follow Tim Newcomb’s tennis gear coverage on Instagram at Felt Alley Tennis.
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Postcard from the Italian Open
Postcard from the Italian Open
Postcard from the Italian Open
Legendary German photographic duo Lotterman & Fuentes take on Roma.
Legendary German photographic duo Lotterman & Fuentes take on Roma.
Photography by Lottermann & Fuentes
May 16, 2025































































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Will She? Won't She?
Will She? Won't She?
Will She? Won't She?
Naomi Osaka is finding solace on clay this year. Now what?
Naomi Osaka is finding solace on clay this year. Now what?
By Carole Bouchard
May 14, 2025

Naomi Osaka takes flight on the red clay of Rome this week. // Getty

Naomi Osaka takes flight on the red clay of Rome this week. // Getty
Will she or won’t she? What? Come back. But she’s already back. No, but you know, at the top: Will she come back at the top? The only thing people seem to want to witness from Naomi Osaka since last year is a return to her previous level, competing for Grand Slam titles. So the less she finds a way to do it, the more dramatic the “will she, won’t she” storyline becomes. Yet, what if clay was Her Moment? Imagine!
Surprisingly, this clay season has come to Naomi Osaka’s rescue as she clinched eight wins in a row, from Saint-Malo’s final to Rome’s fourth round (a loss she called “atrocious”), on a surface she doesn’t like, doesn’t have good memories of, and never spent enough time on. Her best record on clay yet. She was sweating through three-set wins against players she surely felt she should still trounce in straight sets like she did back in the day. Who would have predicted that after a first-round loss in Madrid? Yes, she could be a dark horse at Roland-Garros, no doubt, and also, yes, she could suffer an early exit. The uncertainty cloud around her is less thick, but it has still not fully cleared.
Osaka’s case reminds us how tennis is fascinated by former champions returning to the sport after going through it. People love a fairy tale of winning against all odds, the “rising from the ashes” storyline. We were all glued to Michael Jordan’s journey in The Last Dance, and we’ve been spoiled throughout the years in tennis with it happening repeatedly, from Andre Agassi to Serena Williams, Kim Clijsters, Thomas Muster, Rafael Nadal, Roger Federer, or Maria Sharapova post–shoulder surgery. Some forgot it’s not a given. Ask Andy Murray!
Still, nothing like a champion turning mortal before becoming a superhero again to renew fans’ interest. It’s even stronger for Naomi Osaka as you can feel the not-so-subtle “Please, Naomi, come back” vibe. The fans, the sponsors, the media, and the tour all want to see more of one of the most bankable players in tennis. It’s not just for the feels: The tennis business needs her. And so Osaka’s only option seems to be this incredible comeback following pregnancy and injuries to the top of the mountain again.
And she’s trying so very hard. Osaka tried so much that she hurt her back during the Asian swing last year. And this year so much so that she got an abdominal injury that not only cost her a title in Auckland but also a deep run at the Australian Open. She was hitting the ball like the former world No. 1 she is and moving the best I had seen her move in ages. But she broke, and it killed all her momentum. It also kills what Osaka needs the most but struggles to keep: her confidence. She told me in Madrid she loved how Patrick Mouratoglou was helping her build her confidence again, as she tends to be “too insecure.” That’s what puzzles people about Naomi Osaka: how she can be an extremely ambitious woman building an empire on and off the court, yet someone who doubts so much.
Naomi Osaka had planned the start of 2025 to be her moment, yet it ended in an emotional blow. That’s why, to me, her clay season so far has been admirable. Think about it. Naomi Osaka is now asked to rise from her ashes through the tennis stretch she dislikes the most: clay season to grass season. Awful timing, right? Maybe not. Last year, she played a blockbuster at Roland-Garros against Iga Swiatek in the second round, so couldn’t she build on that again a year later?
When I saw her in Madrid, she said that instead of going straight on clay after Miami, she had a whole block of preparation for clay at the Mouratoglou Academy in the South of France. I paused. Naomi Osaka prepared for clay season?! Color me impressed. But she still lost in the first round in Spain against Lucia Bronzetti, whom she barely beat last year in the first round in Paris. Then what? Rome and Roland-Garros? Did she go through all that for two events?
Osaka was livid, ranting on Threads, “Trust the process, but the process isn’t trusting me wtf. I wouldn’t wish what goes on in my brain to my worst enemy.” And so she did what champions do and also triggered her fairy-tale-waiting-for-happy-ending storyline again: Cinderella forgot about the castle, the prince, and the cute glass shoes and got down a few notches. Naomi Osaka needed matches and some wins, so she put her ego aside and discovered the beautiful city of Saint-Malo in France and its WTA 125 world. Andre Agassi going through the Challengers to build his return type of vibe. The amount of “omg wow, Osaka back to WTA 125 level, this is so brave” takes I’ve read… Everything for a good narrative and drama!
Nobody can say Naomi Osaka isn’t trying, or doubt she wants to get back to the top. Why? She was down 4–1 in the second round against Diane Parry in the third set of a WTA 125 in a city she probably didn’t even know existed before landing in it. She has all the millions she can dream of in the bank, a successful production company, a daughter she doesn’t see as much as she’d love to because of tennis, and some serious emotional troubles tied to tennis. She could have been on a private jet to the beach real quick to forget about it all. But no, she fought her way back into that match and ended up winning the tournament.
Naomi Osaka won her first title on clay, her first title in four years, in 2025 in Saint-Malo, a WTA 125. Plot twist! That’s what her tennis and confidence needed. And so the narrative machine got back on track again: “Will she now?” The thing is that the word “nearly” has become a big part of Naomi Osaka’s return story. She nearly got Swiatek at Roland-Garros last year. She nearly won the title in Auckland. She was near a deep run at the Australian Open. Naomi Osaka is still so close, and yet somehow so far. Close to her best level? Absolutely. To dominating the sport again? Not sure about that. But the main thing is that she wants to try. That’s what this clay season is showing us: Naomi Osaka is still up for the fight.

The Hopper
—CLAY Tennis on Beatriz Haddad Maia’s US Open run.
—Giri on Iga Swiatek’s loss to Jess Pegula.
—Jon Wertheim’s mailbag is full this week.
—Sara Errani and Andrea Vavasori have won the US Open mixed doubles.
—Tim Newcomb on Taylor Fritz and Asics.

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It Started in Italy
It Started in Italy
It Started in Italy
Diadora USA head Bryan Poerner talks about bringing the brand’s made-in-Italy program to the tennis court, with its all-new B. Elite Star.
Diadora USA head Bryan Poerner talks about bringing the brand’s made-in-Italy program to the tennis court, with its all-new B. Elite Star.
By Tim Newcomb
May 13, 2025

Images courtesy of Diadora

Images courtesy of Diadora
Diadora boasts a rich Italian heritage, one full of nostalgia, history, and made-in-Italy designs, going back to the company’s birth in 1948. Not one to live in the past, though, Diadora has brought its made-in-Italy program to the tennis court, crafting the all-new B. Elite Star at the brand’s Italy headquarters and manufacturing facility in Caerano di San Marco. The new on-court offering joins made-in-Italy models for off court, such as the B. Elite and B.560.
The Second Serve’s Tim Newcomb chatted with Bryan Poerner, president and CEO of Diadora USA, on why the made-in-Italy program is important to the family-owned brand, and what makes it unique in the world of tennis.
Why is the made-in-Italy program important to Diadora?
We’ve always done it in soccer and reintroduced it in running three or four years ago. This is our first tennis introduction. The thing that is interesting about what we do is this is not a commercialization strategy of “Let’s sell the most stuff.” Yes, we are competitive and want to sell, but this is more about “How do we actually build the best things?” There are lots of ways to approach this, scientifically and with labs, which we have, but we started thinking that if we want to have this process to come up with the best court shoe—sketching it out, building the compound, stitching it, testing it, adjusting it, testing it again—if we can do that in our home, where designers, the lab, and factory are within 100 meters of each other, there is something there you can’t replace.
It is not a commercial option to have all our shoes built this way, but it is a celebration of how we develop our shoes. It is a celebration of Italian craft, but also what the Diadora design process is.
What is the made-in-Italy B. Elite Star?
The B. Elite Star is a new shoe we developed, and it is the first made-in-Italy technical tennis shoe that we have done in 30 or 40 years. It pays homage to the Bjorn Borg B. Elite, but only in design reference. We paid homage to it but wanted to push the boundaries and made sure it was a badass technical, playable shoe. The B. Elite is one of the most celebrated shoes in our history, so we started from that design language and were figuring out how to modernize. It was really fun.
What makes the B. Elite Star unique?
When people see it, they say, “Oh, it is beautiful.” Because we took this design language from the B. Elite, it is one of the gnarliest all-court shoes that has ever been developed. We just said we are going to build the best hard-court shoe possible, and it wasn’t about reaching a price point. The [midsole] compound we use, the production value of the raw materials, it is the anima—Italian for “soul,” so it has a double entendre—of the shoe but also what makes the shoe special. There is a responsiveness around that. It is 30 percent more responsive with 30 percent more bounce back from impact to return than the next competitive set of shoes. And even with that performance, we got it down to a little more than 12 ounces with all the best materials and a good level of durability. I’m really proud of it. We don’t just make stuff; we try to make the best thing. Made-in-Italy is our best representation.
Will we see the made-in-Italy program expand in performance tennis?
I would love it to, but I don’t know. With the tariff situation, with capacity, with demand, we will see. The demand for our made-in-Italy running product keeps growing, but then it comes down to the actual capacity to build shoes. Do we invest in more factories around Caerano? This is not a mass-production thing. We want all these details to be felt. There are a lot of factors involved, but I will say that the way we have developed shoes for the last 50 years will stay the same.
What are the lifestyle models of the made-in-Italy tennis program we’ve seen?
These are replicas of Bjorn Borg, Boris Becker, Jennifer Capriati, anyone who played in our shoes. Select models of their shoes we still manufacture like we did 30 to 40 years ago. We do small runs for boutiques all around the world. These are one-for-one replicas and are nods to the past.
How does Diadora’s history help it in the tennis space?
The reason I came here in the first place is it is the most amazing brand. It is a family company. Take all the [feats by athletes] away and it is a family company obsessed with providing high-level products to athletes. There is tremendous value in that. The people at this company obsess over the athletes, and how to serve them better is part of every decision we make. How do you give someone not only an advantage in tennis, but an advantage when playing on grass, or on wet grass, or playing doubles on grass? We don’t think about profit and loss when building footwear for Nicole [Melichar-Martinez], a doubles player of ours; we think about how to deliver the best shoe on this day.
Why is tennis important to Diadora?
It is core to what we do. We are not an every-sport brand. We do calcio [Italian for soccer], tennis, and running. Those are the sports we do, and we want to do them super, super well, so we are going to be very focused on driving the best product to market. That is a different approach than a commercialization strategy where you find the opportunities to sell the most stuff. Sometimes they are very commercial, and sometimes they are not.
How is that strategy different?
If you think about it, it is similar to Ferrari. They are thinking about building a race car. That is not a commercialization strategy. They are not building a compact $35,000 car that can maybe get you there, but it isn’t going to be the fastest, hold you the best, or corner the best. We are more concerned with this [high-performance] market, and we can live in this world. It is a different approach than most of our competitors.
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Brains and Brawn
Brains and Brawn
Brains and Brawn
Brain Dead continues to ramp up its presence in tennis, partnering with Solinco for a May 13 launch of a new-look Whiteout V2 and package design of a special edition Solinco hybrid string setup.
Brain Dead continues to ramp up its presence in tennis, partnering with Solinco for a May 13 launch of a new-look Whiteout V2 and package design of a special edition Solinco hybrid string setup.
By Tim Newcomb
May 9, 2025

Image courtesy of Brain Dead

Image courtesy of Brain Dead
Solinco and Brain Dead have launched a capsule that celebrates a 1990s acid-punk nostalgia o, with a limited-edition Solinco x Brain Dead Whiteout V2 and a prepackaged hybrid string set that gives the Hyper-G Round and new Mach-10 strings a fresh “acid chrome” finish.
Kyle Ng, Brain Dead founder, says that once he heard about Solinco on YouTube and through friends, he went out and bought a Whiteout 305. Then he bought three more, calling the frame versatile and complementary to his game. “This is a very unique project because most ‘brands’ like us who collaborate on tennis gear just do a color up, but for this collection we went deeper,” Ng says. “Not only were we able to color up the Whiteout, but we developed a new hybrid string system that I am so proud about. Being a tennis nerd and being able to make my own tennis string setup is the ultimate dream.”
On the Whiteout V2, expect plenty of additional yellow and black touches across the design—what Brain Dead calls an “acid chrome” finish—that turn the Solinco high-performance racquet into a statement piece. The Whiteout V2 is a 2025 update to the 2022, original iteration, a 98-square-inch head racquet with thinner beams, designed as a player’s stick. The new version features updated carbon fiber architecture to enhance access to easier power. The latest approach offers more effortless power with improved forgiveness and feel, all without sacrificing control.
For the strings, the capsule packaging includes the Hyper-G Round and Mach-10 for inclusion in the Whiteout V2, offering a mix of fresh colors for fans of the Los Angeles-based tennis company.
“We’re always looking for ways to push the sport forward with innovation and standout design,” says KT Kim, Solinco’s director. “Tradition is a big part of what makes tennis special, but it, at times, can also create a sense of predictability. Our collaboration with Brain Dead gave us the chance to change that. In this capsule, players will get a setup that’s just as technically sharp as anything we make, but with a new edge that’s never been seen on the court.”
The string set retails for $14, while the limited-edition racquet is $300. The Solinco x Brain Dead Whiteout V2 features the same technology as the stock frame, all enhanced with a fresh take on punk-like design.

Image courtesy of Brain Dead

Image courtesy of Brain Dead
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Postcard from Aix-en-Provence
Postcard from
Aix-en-Provence
Postcard from
Aix-en-Provence
Paris-based photographer Guillaume Tranchard checks in from Aix-en-Provence and the Open Aix Provence Crédit Agricole Challenger.
Paris-based photographer Guillaume Tranchard checks in from Aix-en-Provence and the Open Aix Provence Crédit Agricole Challenger.
Photography by Guillaume Tranchard
May 9, 2025





































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Photos: adidas Originals and Brain Dead Hold Court in LA
Photos: adidas Originals and Brain Dead Hold Court in LA
Friends and family gather for the launch of the brands' new SS25 collection and interactive tennis pop up in Highland Park.
Friends and family gather for the launch of the brands' new SS25 collection and interactive tennis pop up in Highland Park.
By TSS
April 24, 2024







































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Nothing Special
Nothing Special
Nothing Special
Joao Lucas Reis da Silva talks coming out and moving up.
Joao Lucas Reis da Silva talks coming out and moving up.
By Sebastián Fest
April 25, 2025

Joao Lucas Reis da Silva the Rio Open in 2024. // Getty

Joao Lucas Reis da Silva the Rio Open in 2024. // Getty
This article was produced by CLAY and has been published collaboratively. It appears on their site as well.
RIO DE JANEIRO—Joao Lucas Reis da Silva, the Brazilian who at the end of 2024 became the first player on the ATP Tour to come out as gay, is clear about one thing: It is very unlikely that he is the only one.
“I don’t know about anyone else, but I think it’s unlikely that I’m the only gay player on the tour,” said Reis during an interview with CLAY in Rio de Janeiro.
Reis, a smiling young man who is looking for a place in the tennis elite—his current ranking is 325—was 2 years old when he sat on the bed between his father and mother, took out his pacifier, and stammered “Guga” while pointing to the television.
Twenty-two years later, he again turned heads when he simply uploaded a photo with his boyfriend on Instagram.
“Happy anniversary, happy life, I love you so much,” he wrote on the social network in December, accompanying a photo in which he was seen with his partner, actor Gui Sampaio Ricardo.
Reis da Silva, who reached No. 204 in the ATP rankings at the end of 2023, has been climbing back after an injury derailed him at the end of 2024.
Men’s professional tennis does not have a history like Reis da Silva’s. Players like the American Taylor Fritz told CLAY at the time that an openly gay player would be well received by his colleagues, while the Peruvian Juan Pablo Varillas posited a different theory: “Maybe there are gay tennis players, but they are afraid. This is a macho sport.” (This is in stark contrast to the WTA, where there have been many openly gay players.)
In an in-depth and relaxed conversation on a humid night in Rio de Janeiro, on the sidelines of the Rio Open played in February, Reis da Silva explained that it was not and is not his intention to become a role model.
“I see that many people look at me and tell me they are proud, and that’s very good. But it’s not something I’ve sought,” said the Brazilian, who, between sentences, looked up to find himself with an unrivaled postcard view of Rio: Christ the Redeemer embracing everyone from the top of Corcovado hill.
What are your goals on court this year?
This year I want to play in the Grand Slam tournaments. Last year I came close to doing it. I almost got into the main draw at Roland-Garros, but I got injured and didn’t play for a while. I feel that my level is there, although I still have to improve some important things.
You don’t earn much money in your current ranking position. How do you finance your career? How do you manage to keep traveling and playing?
I have help from people who believe in me. And I have the support of my city, Recife, and my state, Pernambuco. I can travel with peace of mind until October this year. I hope to play in the US Open qualifiers this year and go to the Australian Open in 2026.
At what age did you start playing tennis?
At the age of 4, very young. The whole family plays. My dad, my mum… My brother played too, he played in junior tournaments in Brazil, but he stopped at an early age, at 15 or 16. I wanted to do everything my older brother did, he’s six years older than me.
As a child, who were your tennis idols?
My first idol was Tsonga. If I saw him on the TV I would drop everything to watch him. I was 8 or 9 years old and they used to call me Tsonguinha [little Tsonga]. And Rafa [Nadal] and Guga [Kuerten] were my other two idols.
You weren’t born when Kuerten won the 1997 Roland-Garros…
My mum always tells a story. I was 2 years old and my parents were in bed watching a Guga match on television. I got into bed between them, took out my pacifier, and said, “Guga.”
You posted that photo in December congratulating your boyfriend on his birthday. And you said at one point that the reactions surprised you. Why?
They surprised me very pleasantly, because the reactions were much better than I expected. I already had the support of my family, my friends, my coaches…. But there was a part of me that was a little worried. When I saw that everyone was sending me messages saying “Good for you!” and things like that, I felt really good. It was a very motivating feeling.
You were worried once you’d posted the photo, but before posting it you did it happily and almost unconsciously, didn’t you?
Yes, when I did it, I did it almost unconsciously, just because it was his birthday. And when I saw that the photo had repercussions in Europe, all over the world, I got a bit worried. And then I sat down and started to think. I told myself no, what I had done was right, that I didn’t have to hide anything from anyone else, that I had already lived that way for too long, trying to make sure that nobody knew anything. When I saw that the reactions were very good, I calmed down.
What was the most pleasant reaction, or the one that surprised you the most?
Billie Jean King wrote to me, a lot of people that I can’t remember now, a lot of likes. And a lot of people around me too, people I already knew I could count on, but who wrote me a lot of nice and kind things. And a lot of people I don’t know, but who told me they admired me. That was the biggest motivation.
Did you receive any messages from the ATP or the International Tennis Federation (ITF) authorities?
No, no, not from them.
Do you think that with that photo you uploaded in December, you can help other gay players feel more secure, more relaxed, more confident about uploading a photo like that themselves?
If that happens it would be great. I don’t know if I’m the person who should be setting an example. My life hasn’t changed that much. I have to wake up in the morning and practice at nine. Not much has changed for me. I have to do the same thing. But I see that a lot of people look at me and tell me they are proud, and that’s very good, but it’s not something I’ve sought.
Don’t you want to be an icon or a role model?
No, because I have a lot of things to worry about with my tennis and with being a better player and a better person. But, well, if people feel represented in me, that’s a very good thing. But it’s not something I want, it’s not my goal.
You said in statements to the Brazilian press that in the years when you were telling your friends that you were gay, the homophobic jokes and sexist comments in the locker rooms or on nights out began to disappear.
Yes, and I think that can happen in society as a whole, not just with my friends. It was a sudden change, things I heard that I never heard again. They might talk among themselves when I’m not there, but when I am there, the atmosphere is one of total respect. It was one of the best things I’ve ever felt. A long time ago I was someone who didn’t want to talk to anyone about it, and when I started talking, when I felt calmer about myself and started talking to my friends, to everyone, and I saw that the reaction was one of protection, of support, I felt calmer. It did me a lot of good.
In what sense?
I started to live much more relaxed, much more relaxed. My relationship with my coaches improved a lot—with my family, too. I could talk about things that I didn’t talk about before. I was 19 when I spoke, it was during the pandemic.
How did your parents take it?
For them it was a shock at first, although my mother told me, “I already knew, I was waiting for you to speak.” She could have told me before! [Laughs]
Mothers know.
Mothers know! The truth is that this had been maturing for a while, and I’m very happy to have come this far.
There is a statistic that indicates that, historically, approximately 10 percent of the population is gay. That 10 percent is not reflected in the ATP Tour. Does that catch your attention?
I don’t think I’m that special, so I can’t be the only one, I can’t be that unique. I don’t know anything about anyone, but I think it’s unlikely that I’m the only gay player on the tour.
