Postcard from Adelaide

Postcard from Adelaide

Ahead of the Australian Open, photographer Stuart Kerr checks in from the Adelaide International.

Ahead of the Australian Open, photographer Stuart Kerr checks in from the Adelaide International.

Photography by Stuart Kerr
January 11, 2025

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Baby Djoker

Baby Djoker

Baby Djoker

Nishesh Basavareddy is making an impact at his first ATP tournaments.

Nishesh Basavareddy is making an impact at his first ATP tournaments.

By Giri Nathan
January 10, 2025

Nishesh Basavareddy in Auckland this week. // Getty

Nishesh Basavareddy in Auckland this week. // Getty

A tennis analyst with an encyclopedic grasp on the college game, Alex Gruskin, told me a funny story about an event he hosted in 2020. One match had featured a 15-year-old boy named Nishesh Basavareddy, who often competed in rec specs. His opponent was a fifth-year senior on the University of Kentucky men’s tennis team. The teen won 18 of the first 20 points in the match, causing the college veteran to wonder aloud, “Am I playing fucking Djokovic?” Gruskin, through laughter, issued a code violation. From a young age, Basavareddy has had this effect on opponents. “That’s when I knew,” Gruskin told me. In the years since, watching Basavareddy’s court coverage, return game, and eerily clean two-handed backhand, he found himself making the Novak Djokovic comparison too.

I’d personally been keeping tabs on Basavareddy’s results for a while, due to some shared demographic categories (Indian-American, bespectacled, not tall). I’d sat in on some of his junior matches at the US Open, where he won the boys’ doubles title in 2022. The talent was obvious, but as Gruskin pointed out, his junior career had been interrupted by some serious knee injuries, too. Basavareddy has said that he did indeed model some aspects of his game after Djokovic, his favorite player, but also drew on players like Kei Nishikori and David Goffin, who were under six feet but adept at taking the ball early and redirecting the opponent’s pace. At this stage of his career, Basavareddy plays a bit more aggressively than Djokovic; he’s quicker to flatten out his backhand and assume some risk.

Basavareddy played for two seasons at Stanford, but last summer and fall he played such good tennis it practically forced his hand to go pro. He received some wild cards on the Challenger Tour, then won 28 of 34 matches in one stretch. He moved up to No. 138 in the world, received a wild card for the Australian Open main draw, and qualified for the Next Gen Finals. After consulting with his mentor Rajeev Ram—somehow there is more than one Indian-American, pro-grade tennis player from Carmel, Ind.—Nishesh opted to leave behind campus life for the world tour. Though on the off chance his parents are reading this, he has said that once he’s done with the tour, he’s “definitely” going to finish his degree.

This year, Basavareddy, 19 years old, is playing his first ATP tournaments. He hasn’t needed much time to get acclimated. In a thrilling run at the Auckland 250 this week, just his second event, he beat five top-100 names, including the tournament’s defending champ, world No. 23 Alejandro Tabilo. On Thursday in the semifinal he played the always slippery Gael Monfils, somehow for the second time this year. This match was its own education. Basavareddy outplayed the Frenchman throughout the first set, only to arrive in a tiebreak, where Monfils spent the time in between points keeled over, visibly in distress, propping himself up with his racquet, working the clock. But those of us who have been watching the Frenchman for nearly the whole duration of Nishesh Basavareddy’s life know one thing: Monfils is never truly dead, even when he looks like death. Basavareddy made a few errors on routine balls and wound up losing the first set despite having won nine more points in it.

The second set nearly followed the same script. Basavareddy was the steadier player, only to have a little hiccup while serving at 4–4. Monfils saw his first break points of the entire match and cashed out; minutes later the talented teen was packing his bags. Another bewildering escape from the Frenchman, and an object lesson in how to win only a match’s most essential points. The next stop on tour for Basavareddy is Melbourne, where he’ll get his first taste of a major tournament. There he will likely receive some more lessons, from a player who has indirectly taught him quite a bit: His first-round opponent at the Australian Open is its 10-time champ, Novak Djokovic. 



The Hopper

—CLAY Tennis on Beatriz Haddad Maia’s US Open run.

—Giri on Iga Swiatek’s loss to Jess Pegula.

—Jon Wertheim’s mailbag is full this week.

—Sara Errani and Andrea Vavasori have won the US Open mixed doubles.

—Tim Newcomb on Taylor Fritz and Asics.



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Frances Tiafoe Makes It Official with Lululemon

Frances Tiafoe Makes It Official With Lululemon

A high-profile partnership begins at the Australian Open.

A high-profile partnership begins at the Australian Open.

By Tim Newcomb
January 9, 2025

Images courtesy of Lululemon

Images courtesy of Lululemon

The speculation is over. Frances Tiafoe and Lululemon have announced their partnership ahead of the 2025 Australian Open, with the popular American planning to wear a vivid “passionate pink” shirt-and-short combination from the Vancouver-based brand.

With an expired Nike sponsorship deal, Tiafoe has signed to Lululemon, giving the brand another high-profile ambassador in tennis, a sport the brand continually embraces.

Tiafoe will wear a custom-made version of the brand’s Metal Vent Tech Tee and pair it with a Pace Breaker Short for the tournament. Both will be in pink. He’ll also have a custom Sojourn Windbreaker Jacket with a tennis-court graphic on the back linking to his hometown region of Washington, D.C., Maryland and Virginia with the words “DMV Made.” The graphic will incorporate the coordinates of where he grew up playing tennis in College Park, Md.

Beyond the Australian Open, expect Tiafoe to collaborate with Lululemon on products and have a key role in what he wears on the court. “I’m excited to work with a brand that allows me to express myself and look forward to being part of the creative process both on and off the court,” Tiafoe says.

The world No. 17 will pair his Lululemon apparel with K-Swiss Ultrashot 4 shoes for the Australian Open as he decides which brand’s shoes he will wear in 2025. Lululemon does not produce tennis sneakers.

Lululemon entered tennis in 2022 by signing Canadian Leylah Fernandez and has continued to add tennis-specific products. Lululemon’s tennis lineup includes Fernandez and 20-year-old American Ethan Quinn. Tiafoe now gives Lululemon an eye-catching addition in the sport. And the pink help makes that pop. 

Follow Tim Newcomb’s tennis gear coverage on Instagram at Felt Alley Tennis.

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A Slice Is Life

A Slice Is Life

A Slice Is Life

Aoi Ito unveils her kooky shot selection.

Aoi Ito unveils her kooky shot selection.

By Giri Nathan
January 3, 2025

Aoi Ito of Japan in Canberra this month. // Alamy

Aoi Ito of Japan in Canberra this month. // Alamy

The Friday before the start of Roland-Garros, I found myself seated courtside, alongside perhaps three or four fans, watching two strange legends rally. Out on the clay were Mansour Bahrami, the mustachioed trick-shot connoisseur, and Su-wei Hsieh, arguably the most advanced junkballer of the past decade. You might be wondering what it’s like when two players notorious for their spontaneity set out to attempt something as regimented as “practice.” I can assure you there’s no metronomic hitting of perfect topspin drives along boring crosscourt trajectories. Instead, with these two co-conspiring, practice felt like a random shot generator. Grips never before seen. A series of two-handed slices absolutely ripped from above shoulder height. Drop shots, lobs, tweeners. On a minute-by-minute basis it was about as entertaining as any competitive tennis match I saw that week—true sublimity for the fan of deviant tennis. Earlier that year, Hsieh, then 38, had announced that she was retiring from singles competition. While she was to continue her successful doubles career, I was sad that her singular shot selection would no longer be gracing the singles court.

Her game seemed like a vestige of a bygone era when low-powered, unorthodox styles were still viable. Before the optimization of technique filtered most of the true oddities out of the universe; before the power-baseline game became the blueprint for tennis development the world over. Little did I know, Hsieh would find a spiritual successor before the season was even through. Aoi Ito, a 20-year-old from Japan, was ready to inherit that kooky shot selection. The first clips I saw of Ito were from her WTA debut at the 250 in Osaka last fall. As soon as I saw the shocking quantity of forehand slices leaving Ito’s racquet, I knew the game was in good hands. It was a compelling story. Ito had not been much of a presence in junior tennis. She started the 2024 season ranked outside the top 400, and after that run in Osaka—from the qualifiers all the way to the semifinals—she got a foothold inside the top 200. She would finish the season at No. 127. This week, she’s on the cusp of breaking into the top 100, having made it to Saturday’s final at the Canberra WTA 125; after that, she’ll presumably try to qualify for her first major tournament in Melbourne.

How far can a tennis player get on the WTA in 2025 with a game premised on pure touch and deft angles? That’s what I’m eager to find out. The tour is squarely in the era of Aryna Sabalenka and Iga Swiatek, heavy ball-strikers exploring the limits of power and topspin. But perhaps there’s still an ecological niche for an utterly relaxed junkballer to occupy. I highly recommend watching some of the highlights from this week. Ito’s philosophy could be boiled down to anti-rhythm. The opponent never gets to see the same type of ball twice in a row. While she can crack a flat drive when necessary, she is most eager to hack spinny off-speed shots all over the court. It looks like the late stage of a hitting session where your legs are dead and you’re just futzing around—only if that were executed with a frightening degree of feel, by someone who was not actually tired at all. Her light serve and casual, unhurried steps between shots further belie the dangerousness of her game.

According to a great recent interview with Alex Macpherson, Ito seems to have a personality to match her play style. She views tennis as a role-playing video game, which lets her enjoy advancing the rankings. She likes playing tennis but has barely watched it as a fan, which must partially explain how she honed such an unorthodox style. “I don’t care at all whether I play like everyone else or not,” she said. Frustrating opponents brings her happiness. Her team consists of her parents. Mom worked for a travel agency and plans out her itineraries; dad played tennis for fun when younger and offers tactical advice. Her dad is also a big Su-wei Hsieh fan. But Ito herself hadn’t really ever seen her predecessor play. Asked which WTA player she’d most like to play, she picked herself. Troll-y tennis, troll-y answers. It’s all so coherent. 



The Hopper

—CLAY Tennis on Beatriz Haddad Maia’s US Open run.

—Giri on Iga Swiatek’s loss to Jess Pegula.

—Jon Wertheim’s mailbag is full this week.

—Sara Errani and Andrea Vavasori have won the US Open mixed doubles.

—Tim Newcomb on Taylor Fritz and Asics.



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Manna from Bopanna

Manna From Bopanna

Manna From Bopanna

The kid from Coorg has been serving up exhilarating pro tennis for over 20 years.

The kid from Coorg has been serving up exhilarating pro tennis for over 20 years.

By Giri Nathan
Photography by Clive Brunskill

 

Featured in Volume 1 of OPEN Tennis — BUY

Manna From Bopanna

Manna From Bopanna

The kid from Coorg has been serving up exhilarating pro tennis for over 20 years.

The kid from Coorg has been serving up exhilarating pro tennis for over 20 years.

By Giri Nathan
Photography by Clive Brunskill

 

Featured in Volume 1 of OPEN Tennis — BUY

The hair atop the heads of Carlos Alcaraz and Novak Djokovic has been described as “LEGO hair”—low hairline, a dark color, a follicular density so staggering it seems to amount to a continuous surface. Perhaps the part of the human genome that brings about this hair also brings about elite tennis technique. The Indian doubles specialist Rohan Bopanna has this same spectacular hair, though by the time he became world No. 1, it had finally started to thin out at the crown, ceding the ground it had stubbornly held for so long. That’s because Bopanna first became world No. 1 doubles player this past February, at the age of 43 years and 331 days, the oldest man in men’s tennis to climb that particular mountain for the first time. He has achieved the bulk of his most significant career achievements past the age of 35 and has found a way forward with “no cartilage” left in his knees. You wouldn’t know it from the gray-speckled beard, or the gentle stoop in the shoulders that belies the power in his racquet, but Bopanna is a savvy survivor of a punishing game, finding his best tennis in his silver years.

That one fortnight was packed with career milestones, beyond clinching the top ranking. Bopanna logged his 500th win on tour. He won his first Grand Slam title in men’s doubles—the Australian Open, alongside partner Matthew Ebden. And, as a result, he was granted one of India’s highest civilian honors. “The Padma Shri award and being world No. 1 were the two massive recognitions,” he said to me, starting to laugh. “And also it felt like I just arrived on the tennis circuit, even though I’ve been playing for 20-plus years.”

But those countrymen who’ve been tuned in to his every move are awed by his late-blooming brilliance. “To play at this level at 44—there’s only one word for it, and that’s phenomenal,” said Anand Amritraj, who has known Bopanna for decades and captained him for four years on India’s Davis Cup team. “He’s done well for himself, he’s done well for the country, he’s done well in Davis Cup—and now he’s in the Olympics.” Bopanna, making his third appearance at the Games, is the oldest Olympian in the Indian delegation in Paris.

As Bopanna and I speak under the ash-white cloud cover of London in July, a few days ahead of the start of Wimbledon, we circle around a subject of common interest: the odd cultural niche that tennis occupies in India. There’s quite a bit of popular interest, and some rich history, too, spanning from the Amritraj family and Ramesh Krishnan in the ’70s and ’80s, to the Wimbledon-winning Leander Paes–Mahesh Bhupathi duo of the ’90s, to the long run of Sania Mirza in the ’00s and ’10s. But there’s vanishingly little in the way of a national talent development system, and any player who does manage to crack into the top tier of the game is a small miracle, a confluence of irreplicable circumstances. One of Bopanna’s priorities is sharing what he knows, and patching up the broken infrastructure for India’s players of the future, “just so that the journey can be a little bit smoother for them.”

*****

Bopanna spent his early life in Coorg, in the southern state of Karnataka. Stowed on the eastern slopes of the Western Ghat mountain range, it is a psychedelically lush, misty place known for stirring views and extreme biodiversity. It’s also a fine climate for agriculture, and Bopanna was raised on his family coffee farm. Food remains a priority. He tours with his own coffee beans in his luggage; he eats widely in his travels; his young daughter is consequently developing an expensive salmon sashimi habit. He recommends me some Coorg specialties for my next visit: Akki roti, a soft flatbread of rice flour flecked with onions and chilis, goes well with pandi curry, a darkly spiced pork dish shot through with a bracing vinegar made from the gummi-gutta fruit. Childhood in Coorg was defined by nature and exploration. When he wanted a glass of milk, he went straight to the cow. Dinner came out of the vegetable garden. Whenever snakes got inside the house, his mom would dispel them, while his dad just ran away. Young Rohan was covered in a permanent coat of scrapes and bruises from biking and climbing trees all over the coffee estate. Looking back at his birthplace, Bopanna gives credit to the region’s unique cultural microclimate within a country that is broadly indifferent to the serious pursuit of athletics. “In Coorg, 80 or 90 percent of the population introduced sports to their kids. It is a very different culture,” he said. “Going through a sports journey or going to the army are the two fields that are very, very encouraged in Coorg.”

Which is not to say it was a natural environment to learn tennis, specifically. But the tennis bug had already taken hold of the family. Bopanna’s parents went to England for their honeymoon in 1975. While in London, his dad and a friend insisted on investigating what exactly was going on at Wimbledon. They showed up on site with little prior knowledge, grabbed grounds tickets from departing fans, were let into Centre Court by an accommodating usher, and were told they could watch from the stairs for as long as they wanted. They stood there for hours. Upon return to Coorg, Bopanna’s father and his friends built their own tennis club and, alongside their wives, taught themselves how to play the game. Rohan joined in at age 10, playing before school early in the mornings because club members would get priority later in the day. Early instruction: whatever his dad could glean from books, which meant Rohan learned to hit his forehand, backhand, serve, and volleys all with the continental grip, and he’d only catch up with contemporary tennis ideology years later. Early nutritional plan: mom’s intuition and an abundance of homegrown food. Early fitness: a hammer, some logs to hit with the hammer, some poles and ropes that dad set up. To this day, there is no gym in the area. Tennis balls were whatever the club happened to be able to afford. When a string broke, someone would have to bring the racquet for a restring in Mysore (a two-and-a-half-hour drive in present traffic) or Bangalore (closer to five hours).

Even within a sport full of unusual journeys, a Coorg coffee farm is a faintly preposterous place to cultivate a Grand Slam champion. “It’s not like there was any place to go and train, or to find out what it is,” he said. “There was no internet back then. We didn’t have electricity, forget internet. There were many times in school, I was studying under candle. But this was a normal thing for anybody growing up from a small village.” Bopanna was alone on the coffee estate most of the time; while most of his friends had been sent off to boarding school, his dad wanted to keep him close to keep developing his tennis. That often required serious improvisation. Once, when he was desperate to prepare for a tournament during monsoon season, a coffee drying yard was repurposed into a tennis court, with ropes laid down as lines. These experiences seem to have left him in a state of reverse jadedness, a kind of long-release appreciation for all the places tennis has taken him. “Every time I come to these events,” he said, gesturing from a perch above that same court where his dad once stood rapt on the stairs, “I really feel that I appreciate it more.”

“Gorgeous” Gussie Moran, tennis’ first pinup. // Getty

Lea Pericoli with Italian tennis icon Adriano Panatta // Getty

Eventually Rohan’s tennis ambitions outgrew Coorg, however. At age 11 or 12, he tried to enroll in tennis academies and was told he was not good enough. By age 14, an academy in Pune, Maharashtra, said they wouldn’t offer him a scholarship, but they would let him enroll on full tuition. “For me, it was like freedom. Being at home with strict parents, I thought, ‘Oh, this is great. I’ll be getting some more free time,’” he said. The reality turned out far grimmer: He stayed in a hostel with a warden and woke up at 5 a.m. every day to make it to fitness at 5:45. Any student who missed a fitness session could not play tennis that day. He often found himself biking 14 or 15 kilometers a day, sometimes through cold and rain, just to get between the different training locations, an experience that would eventually inspire his own “all under one roof” philosophy of tennis instruction, so that the tennis pupils of the future don’t find themselves rain-soaked at dawn.

Once Bopanna broke into the pros, he played some singles but found real traction on the doubles court, the site of most Indian tennis success over the past three decades. Early in his career he thrived alongside the Pakistani player Aisam-Ul-Haq Qureshi, a partnership known as “the Indo-Pak Express,” a small bridge across a geopolitical abyss. Together they won five ATP titles and made the final of the 2010 US Open. Bopanna won his first major title at the 2017 French Open, a mixed-doubles trophy alongside the Canadian player Gaby Dabrowski. But by 2019, pain was interjecting in his career. His knees were devoid of cartilage, and he didn’t want knee replacements. Hyaluronic acid injections did nothing. After receiving platelet-rich plasma injections, he was told he’d only really notice the effects after strengthening his legs, but he was in too much pain to try traditional gym workouts like squats or leg extensions. A cousin suggested Iyengar yoga, a style that emphasizes ultraprecise body alignment and long static poses. Bopanna, not much of a practitioner, called The Practice Room, an Iyengar center near his home in Bangalore, and laid out his woes. While they’d never before worked with an active athlete, he was soon coming in for 90-minute sessions. After helping him rebuild the strength in his legs, they also got to work aligning his back and shoulders, too.

Asked about his favorite poses, Bopanna smiled. “I don’t think there’s a favorite, because there are some positions where I know they’re good for me, but you have a high tolerance of pain, because they put me in for seven, eight minutes tied with ropes and weights, just lying down there. And now I think they know I can take a good amount of pain in the body, so they’re also pushing me to every limit. But after the class, it just feels incredible.” These excursions into voluntary, restorative pain have allowed him to play his sport free of any pain, which was an unimaginable prospect just a few years prior. He used to take two or three painkillers a day and has now quit them altogether. Bopanna said he’d love to travel with his two yoga instructors, but costs already pile up with a physio and coach. So he developed a new strategy. Wherever he’s staying on tour, he takes photos of the layout and furniture, sends it to his instructors, and they devise exercises that make use of the props on hand. Suddenly he rapped the wooden surface in between us: “This table we’re sitting on can be a great prop for yoga, because it has sharp edges.”

*****

Any 20-plus-year career has its ups and downs, and not long after these significant physical revelations, Bopanna found himself back in the dumps. A few months into 2021, he considered abandoning the racquet for good. After a loss in Estoril, Portugal—his seventh loss in seven matches played that season, winning only one set along the way—he found himself sitting by the ocean, wondering what it was all for. “What am I even doing? I’m not even winning matches, I have a family at home. Should I just call it a day and just go back?” he recalled thinking at the time. His daughter was 4 years old. He could easily throw himself into the third-generation coffee business. But he kept at tennis, trying to restore whatever joy he could, and picked up three titles in 2023. The next year he landed in arguably the most fruitful partnership of his career. Bopanna has described a doubles partnership as a marriage, and on that analogy, it is never too late for love. Matthew Ebden, a 36-year-old Australian veteran, completes him. Pooling together their tennis histories, they realized they’d experienced most of the tour: “No matter which tournament or which round we were in, we had already been there before,” Bopanna said. They won the Australian Open title this year and have also picked up titles in Indian Wells, Miami, and Doha. Bopanna thinks Ebden’s brilliant returns and consistency complement his own power-oriented game, defined by a big serve and forehand.

Part of Bopanna’s longevity can be explained by how doubles strategy has slowly evolved in alignment with his own shifting skill set. Earlier in his career, Bopanna, like everyone else, was a big practitioner of the serve-and-volley. Not so much these days, because while his knees have improved a great deal, they’re still not too happy about those speedy advances to the net. Fortunately, that’s not as big a part of his job description anymore. When I talk to Anand Amritraj, the former Davis Cup captain, he marvels at how much doubles has transformed since his heyday, when he was in the 1976 Wimbledon men’s doubles semifinal with his brother Vijay. “Rohan serves and stays back—but he’s got that massive first and an equally massive second serve,” he said. “So he’s able to do what he does; he stays back and whales on forehands. And the two returners are in the backcourt, they’re not chipping and charging, like a Paul Annacone.” The image of three players at the baseline and only one at the net might be anathema to an Amritraj, but it has served Bopanna’s tennis neatly, well into his 40s. So has his new attitude toward scheduling. Earlier in his career, he insisted on playing as many tournaments as possible, but he has learned to devote the off weeks to recovery and preparation, maximizing the events he does play.

*****

Bopanna is eager to distill all his gradually accumulated wisdom for India’s next cohort of players. Gesturing around the grounds, he somberly observed that there are no Indian players in the qualifying draw at Wimbledon. “Everybody just talks about 1.5 billion people, why don’t we have some? You will not have some if nothing is there to give that direction to help somebody,” he said. He’s seen a lot of great junior talent opt for the American college route and never circle back to tennis. While he considers the overall sporting culture in India to be lagging 30 or 40 years beyond the U.S. or Europe, he points to cricket and badminton as sports with a robust national support system. Tennis isn’t one of them. With his academy in Bangalore, Bopanna has tried to outline his ideal tennis pedagogy, and crucially, it does not involve lengthy bike rides from point A to point B. Everything is centralized: coaching, fitness, lodging, food, and quality education—a sticking point for many Indian parents, he said. Bopanna also wants to incorporate yoga in his programming, as he believes it’s better adopted early than after the ravages of a tennis career. He sponsors underprivileged students. He wants to improve access to quality coaching at a young age, and he wants to create more opportunities for Indians to get exposure to high-level competition without prohibitively expensive travel. To that end, Bopanna dreams of a Futures and Challengers tournament in every state of the country. If anything, India has only lost ground here in recent years. In the 2024 season, neither the ATP or WTA will hold any tour-level events in the country; as for the lower-tier events, there are nine on the men’s side and six on the women’s side.

Building out these tournaments, he hopes, would improve the overall status of the sport in a cricket-centric country. Bopanna, as mellow and good-natured a professional athlete as I’ve ever met, seemed slightly amused by an abrupt rush of national appreciation for a career that had already seen significant successes over two decades. “I think that the challenge is that nobody really understands tennis,” he said. “Say both of us are playing an event, right? You come back and you say you got a silver medal. I come back and I say, ‘I’m runner-up.’ You go to a layman, and the guy’s just going to relate to silver.” Tennis’ many tiers, and all its specific nomenclature, can confound even a sympathetic outsider. “I may have 25 titles…but the 25 gold medals are valued more in the country than 225 titles, right?”

The sport doesn’t make it easy, either. It often feels impossible for him to view his own matches at an ATP 250, Bopanna observes. But badminton’s standing has shot up in recent years due to increased coverage, and he thinks tennis can follow suit. “It’s something which just will change only with the sport being more telecasted or spoken about in the country—and automatically, they will understand what I am doing, what Sumit is doing,” he said, referencing Sumit Nagal, the talented singles player, ranked No. 80 at time of writing, who famously had 900 euros in his bank account late last year before stringing together some career-sustaining wins at the start of 2024. Bopanna says he’s talking to entrepreneurs to try to secure the funding needed to transform India’s talent development pipeline into something closer to Italy’s, the system he admires most. Perhaps, with his sustained effort, an Indian career in tennis won’t have to feel as solitary and perilous as it has in the past. But for now, the yoga poses and ice baths are still working, and he’s got a few more seasons to grace the doubles courts before he shifts his full energies to coaching and coffee beans.

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December Surprise

December Surprise

December Surprise

Fonseca bears a freakish tennis resemblance to the best player in the world.

Fonseca bears a freakish tennis resemblance to the best player in the world.

By Giri Nathan
December 20, 2024

Joao Fonseca calls out more victims at the Next Gen Finals in Riyadh. // Getty

Joao Fonseca calls out more victims at the Next Gen Finals in Riyadh. // Getty

Typically, if I were to spend this newsletter on a young prospect still ranked well outside the top 100, for the fourth time in the span of a single season, I’d tell myself to drink a cool glass of water and restore my sense of context. Don’t get too lost in the sauce of the present. History will not look kindly upon impulsive joy-mongering. Many thrilling talents age into normalcy. I know all too well the feeling that I’m watching a fledgling superstar, only to look upon my blog posts, years later, and despair. Fans of Canadian tennis might also be familiar with that feeling, and for the same reasons—bonjour, Felix, Denis, Bianca.

But my curse is that I must write from a place of excitement. Writing about a sport played for entertainment feels like dry-heaving if there is no initial spark, no fundamental thrill or curiosity. At risk of looking stupid and gullible, we look again to the Brazilian phenom Joao Fonseca. Last time we checked in, he was drawing huge crowds at the US Open qualifying rounds, and even though he lost the final match that would have granted him a place in the main draw, he left a strong impression. At that time, he had just turned 18 years old. In the months since, he has played pretty well on the Challenger Tour, bumping his ranking up another 10 spots to qualify for a year-end treat. The Next Gen Finals are a showcase for the eight highest-ranked players aged 20 or under. The event has its quirks—an abbreviated scoring system, with no-ad scoring and a shorter serve clock and sets to four games—but in its brief existence it has been a decent predictor of future success. Previous winners from 2017 to 2021 were Hyeon Chung, Stefanos Tsitsipas, Jannik Sinner, Carlos Alcaraz. All of these players delivered on that promise; even the injury-tormented Chung beat Novak Djokovic and made an Australian Open semifinal before he was undone by injuries.

In late November, Fonseca secured the last spot in the eight-man field, becoming the youngest of the bunch. For his first match of the tournament, Fonseca had to play the top seed, and the most accomplished of the bunch. Arthur Fils, currently the world No. 20, seems so far along the path to ordinary tour glory that an event like the Next Gen Finals feels like a childish afterthought for him. The young Frenchman just wrapped up a season that a veteran could be proud of. He won more points at ATP 500 tournaments than any other player on tour and took home a nice $615,000 bonus for his efforts. He beat world No. 4 Sascha Zverev on clay in Hamburg to win his first ATP 500 title, and then followed it up with another 500 title in Tokyo a few months later. He’s surely daydreaming more about Melbourne, Australia, than Jeddah, Saudi Arabia, where he is competing this week.

So Fonseca was the underdog in their matchup—right? The reality is that the kid had already beaten Fils, in front of a home crowd in Rio, back in February. It was still the biggest moment of the then 17-year-old’s career. In truth, Fonseca didn’t stack up the wins quite as quickly as I had allowed myself to believe after watching him demolish Fils that week. I was anticipating a more grandiose, Alcaraz-style arc from there. That’s not what transpired, but he did break into the top 150, and watching him this week, it is so obvious that he has become a better and scarier tennis player over the course of this year. While defeating Fils in their group-stage match on Wednesday, Fonseca bore a freakish tennis resemblance to the current best player in the world. The ball pops off his racquet in that otherworldly Sinner-esque way. The most gifted ball-strikers in the world have this unfair ease about them, where sound technique and perfect timing produce stunning shape and weight of shot that cannot be faked. And as with Sinner, it’s not a lopsided attack. Fonseca might soon have that trademark package: a forehand and a backhand that are each best-in-class, leaving opponents nowhere to attack. Also like Sinner, Fonseca scuttles around the court with that wide, balanced base that reminds me faintly of a crab: feet farther than shoulder distance apart, light on his feet but still drawing power from his legs, and ready to explode into a ground stroke at any time. He’s finding some more mph on his serve, too. And he already plays this well while basically having the build of a teenager. The strength and conditioning upside here is serious.

If Fonseca wants to fulfill another aspect of his already overly convincing Sinner impression, he can simply go ahead and win the tournament, which is what Sinner did when he was Fonseca’s age—technically, a few weeks younger. On Thursday, Fonseca played another excellent group-stage match against the talented 19-year-old American player Learner Tien, whose game of angles looked fussy and underpowered in the face of Fonseca’s assault. His terrific power on the run would be scary even in higher-powered company; I’m not accustomed to seeing tennis quite this good in December. So it’s okay to keep talking about Joao Fonseca. As one of my favorite dumb-guy draft phrases goes, this is a “can’t miss” prospect. I will not be eating my words anytime soon. You’ll see Joao Fonseca taking on Carlos Alcaraz in the Roland-Garros final before you’ll see me rue a single word of the above.



The Hopper

—CLAY Tennis on Beatriz Haddad Maia’s US Open run.

—Giri on Iga Swiatek’s loss to Jess Pegula.

—Jon Wertheim’s mailbag is full this week.

—Sara Errani and Andrea Vavasori have won the US Open mixed doubles.

—Tim Newcomb on Taylor Fritz and Asics.



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The Best Off-Court Tennis Shoes of 2024

The Best Off-Court
Tennis Shoes of 2024

The Best Off-Court
Tennis Shoes of 2024

Tennis continues to influence off-court style.

Tennis continues to influence off-court style.

By Tim Newcomb
December 19, 2024

Tennis style was born on court, naturally, and while the sport spent some time in the cultural doldrums after the tennis boom of the ’70s and ’80s, it’s now again in fashion. And that means not only more stylish performance gear but also a more robust offering of off-court, tennis-inspired lifestyle selections. Sneakers included.

While the list of brands introducing some sort of tennis-adjacent design is long, we’ve winnowed the list for you to ensure your lifestyle options have diversity in historical relevance, brand participation, and style accessibility. Let’s explore our favorite tennis-inspired lifestyle sneakers we saw in 2024. 

Diadora B.560 Used

Of all the high-end tennis-inspired sneakers you could choose, you can’t beat a brand with a deep history in the sport. Diadora has a mix of tennis-inspired lifestyle models, but two are made exclusively in Italy as part of the brand’s Heritage collection. Those designs feature some of the plushest leather available on the market. The B.Elite has a long history tied to the original 1980 on-court model, but we’re highlighting the B.560 Used RR Italia, a 1990 archive model reinterpreted with modern accents and with a range of personality-filled colorways to match. Texture defines the B.560, using specialty wool from Italy, pigskin leather, and a wax finish to help create a used effect on this luxurious, made-in-Italy offering. 

Images courtesy of Diadora

Images courtesy of Diadora

New Balance T500

We appreciate what New Balance has done on the court by elevating signature sneaker style, and now the traditional running brand is tackling tennis-inspired lifestyle designs, too. New Balance does have historic tennis silhouettes in its archives—here’s looking at you, CT300—and so the Boston-based brand broke out the T500 this March, a remake of an early-1980s style. Expect new colorways and collaborations as the year goes on, but the first release highlights the polyurethane midsole that screams 1980s tech while staying in tune with the trendiness of lower-profile court shoes with clean and elevated designs, the brand says, that feature “quiet luxury with sophisticated, elegant lines.” We applaud New Balance for its growing tennis-specific focus and look forward to the future of the T500.

Image courtesy of New Balance

Image courtesy of New Balance

Wilson Pro Staff 87

Wilson isn’t just basic equipment any longer. The Chicago-based brand has elevated its lifestyle look and embraced tennis fully while introducing a range of tennis-inspired apparel collections. Now Wilson takes on footwear, highlighting one of the most well-known shoes from the brand, the Pro Staff. In the 2024 release, the Pro Staff 87 gets modernized with a new last for a better fit, upgraded leathers, and updated midsole foam. The shoe also embraces fresh colors, adding to the original red, white, and blue that launched in March with the June release of a green on white, blue on white, and white on white. And oh, there was plenty more coming as Wilson continues to embrace its tennis-inspired footwear archives.

Image courtesy of Wilson

Image courtesy of Wilson

Lacoste LT-125

Let’s face it, much of the Lacoste catalog has tennis inspiration behind it. With Rene Lacoste’s history of producing a tennis-specific sneaker in 1958—and being credited with the creation of the polo shirt—there’s a tennis lifestyle aesthetic strewn across the whole of the Lacoste brand. So, pick your preference when it comes to Lacoste designs, from the classic Lineshot or Carnaby Pro Leather to the more updated L001 or G80 Club. But we’ve picked out the modern-looking LT-125. This model isn’t a direct tie to a Lacoste heritage sneaker—that much is obvious—but the brand says they took inspiration from classic court designs and gave the LT-125 a “luxurious” take on what is surely a distinct approach to tennis inspiration.

Image courtesy of Lacoste

Image courtesy of Lacoste

Brain Dead x Adidas Stan Smith

The Stan Smith has been a staple of tennis-inspired lifestyle footwear for decades. So much so that the shoe is ubiquitous in the culture. That can cause the silhouette to lose traction in the modern space, especially as tennis fans search for a differing approach. But collaborations can help keep the style fresh. The Brain Dead x Adidas Stan Smith offered that in 2024. The leather design featured a perforated Brain Dead logo, chunky laces, and a fuzzy suede heel tab. It all adds up to something that keeps Adidas Stan Smith fans coming back for more.

Image courtesy of Adidas

Image courtesy of Adidas

Nike Air Tech Challenge 2

Chalk up the Nike Air Tech Challenge 2 in the category of legendary competition-turned-lifestyle sneakers that those in the tennis space know oh-so-well. And while the silhouette has enjoyed multiple rereleases over the years, in 2024 the hot lava colorway returned with a bit of a retro touch built in. Not only was the hot lava’s return a welcome sight for fans of the 1990-born style made famous by Andre Agassi, but it also marked a precursor of what to expect in 2025 with plans to launch additional colorways of one of the sport’s most famed styles.

Image courtesy of Nike

Image courtesy of Nike

Wilson Tennis Classic

Don’t sleep on Wilson’s style. The Pro Staff 87 marked the front half of the year, but the quiet launch of the Tennis Classic gives the brand both a wildly fun—think the entire upper is made from yellow tennis ball felt—and timeless look in black or white leather. Inspired by traditional tennis silhouettes, the Tennis Classic fits the name and gives those looking for a refined model in European leather a touch of elegance that doesn’t overstep.

Image courtesy of Wilson

Image courtesy of Wilson

Reebok Court Victory Pump

Take a decidedly sporty view of the 1990s by donning the recently reimagined Reebok Court Victory Pump. First introduced in late 1989, the pump technology from Reebok allowed the wearer to pump air in the shoe’s sole via a mechanism housed in the tongue. Use the same tongue to reduce the air pressure. Sure, the tech was first used in basketball, but Michael Chang gave the Reebok Pump its own tennis moment—the pump mechanism as a tennis ball is a splendid touch—during the 1990 Roland-Garros. Rereleased this March, Reebok has vowed to offer a wealth of colorways while keeping the Court Victory Pump alive in tennis.

Image courtesy of Reebok

Image courtesy of Reebok

Puma GV Special

The GV Special isn’t a new addition to the Puma catalog, but the German company refreshed the silhouette this year, ensuring that a brand without a place on the performance side of the sport doesn’t fully lose touch with tennis. With an April release that offered the first of many colorways of the shoe this year, Puma also brought new construction with improved comfort, perforations in the toebox for breathability, and tumbled leather. The sneaker is a mix of tennis and training style and was named the GV Special in honor of Argentinean major champion Guillermo Vilas. For an even deeper dive into Puma’s tennis history, check out the now-available Puma Star, a remake of the 1970 Wimbledon sneaker. The modern Star even has a strawberries-and-cream colorway. 

Image courtesy of Puma

Image courtesy of Puma

Nike Killshot 2

Nike has brought back many of its classic on-court looks in retro form over the years, but there’s one model that has had impressive staying power. Last year brought us the John McEnroe Mac Attack (we are fans of the ongoing colorway releases well into 2024), we continue to see new versions of the Court Legacy, and we’re primed for yet another return of the Air Tech Challenge 2 (likely this fall), but right now we’re all in on the Killshot 2. Inspired by the original Killshot, a low-profile Nike tennis design from 1979, the model gave way to the Wimbledon in 1981. But the Killshot made a return as a lifestyle option in 2009, exclusively at J.Crew. In 2019, Nike brought the style to its own domain and offered fresh colorways. That freshness continues in 2024, as Nike has released special-edition versions and new colorways while it promotes the (thankfully often) gumsole beauty that is all things 1979 Nike tennis. 

Image courtesy of Nike

Image courtesy of Nike

Follow Tim Newcomb’s tennis gear coverage on Instagram at Felt Alley Tennis.

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Garden Party

Garden Party

Tennis' return to the World's Most Famous Arena brought the moment, and delivered.

Tennis' return to the World's Most Famous Arena brought the moment, and delivered.

Photography by @ayssports, @tennisnightout and TSS
December 13, 2024

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The Tennis X-Files

Brain Dead founder and Creative Director Kyle Ng pops his head up from the tennis gear rabbit hole and reports his findings.

By Kyle Ng
Photography by TSS

 

Featured in Volume 1 of OPEN Tennis — BUY

Brain Dead founder and Creative Director Kyle Ng pops his head up from the tennis gear rabbit hole and reports his findings.

By Kyle Ng
Photography by TSS

 

Featured in Volume 1 of OPEN Tennis — BUY

The Tennis X-Files

The Tennis X-Files

Brain Dead founder and Creative Director Kyle Ng pops his head up from the tennis gear rabbit hole and reports his findings.

Brain Dead founder and Creative Director Kyle Ng pops his head up from the tennis gear rabbit hole and reports his findings.

By Kyle Ng
Photography by TSS

 

Featured in Volume 1 of OPEN Tennis — BUY

As someone who makes products, I love diving into the depths of tennis gear and experiencing the ideas and innovations that make so many products so interesting. Like any hobby or subculture, tennis presents an open world of possibilities with these objects, with yourself, and how they work with everyone’s unique tennis DNA. I love helping people find high-quality products that are in tune with their game style, that help them find their potential. Gear is essential to any player’s journey within the game, and I love how passionate players and communities can bring authentic culture back to tennis brands through their experience on court.

As someone who makes products, I love diving into the depths of tennis gear and experiencing the ideas and innovations that make so many products so interesting. Like any hobby or subculture, tennis presents an open world of possibilities with these objects, with yourself, and how they work with everyone’s unique tennis DNA. I love helping people find high-quality products that are in tune with their game style, that help them find their potential. Gear is essential to any player’s journey within the game, and I love how passionate players and communities can bring authentic culture back to tennis brands through their experience on court.

PRINCE PHANTOM

Prince has been low-key making some of the most unique racquets in the market. Due to their lack of marketing and player endorsements, you probably don’t see much of these sticks on the tour or around the courts. But what I can say is this: If you have played with a Prince Phantom, you probably fell in love. The Prince Phantom is an ultrathin box beam, old-school-style players’ stick that gives you maximum control and feel. The Phantom caters to the niche market of players who are chasing that classic plush feel. For fans of Prestige classics, and for players who still whip around their sticks from the ’90s, I highly recommend the newest version of the Prince Phantom. ($199) 

PRINCE PHANTOM

Prince has been low-key making some of the most unique racquets in the market. Due to their lack of marketing and player endorsements, you probably don’t see much of these sticks on the tour or around the courts. But what I can say is this: If you have played with a Prince Phantom, you probably fell in love. The Prince Phantom is an ultrathin box beam, old-school-style players’ stick that gives you maximum control and feel. The Phantom caters to the niche market of players who are chasing that classic plush feel. For fans of Prestige classics, and for players who still whip around their sticks from the ’90s, I highly recommend the newest version of the Prince Phantom. ($199) 

Tecnifibre X-ONE Tennis Ball

The X-One is a remarkable ball that is insanely durable. I don’t know what X D-Core is, but it’s doing its job! This is a heavy ball that you don’t need to toss in the dumpster or ball machine after the first few hits. It can go the distance. And an extra ball per can is everything. The X-One is a premium product that justifies its price point. ($199 per case) 

Tecnifibre X-ONE Tennis Ball

The X-One is a remarkable ball that is insanely durable. I don’t know what X D-Core is, but it’s doing its job! This is a heavy ball that you don’t need to toss in the dumpster or ball machine after the first few hits. It can go the distance. And an extra ball per can is everything. The X-One is a premium product that justifies its price point. ($199 per case)

Solinco Hyper-G Strings

You have probably played with or seen these bright neon green strings around the club or public courts. Solinco Hyper-G strings are a cult favorite among the top professionals, youth and college players, and even club pros. Since its inception in the ’80s, the Los Angeles-based independent tennis company has been producing some of the most interesting strings around. They finally got into the racquet game in 2022 with their Whiteout and Blackout frames, but the Hyper-G strings are what brought them into the limelight. Combining control and spin, you will love the amazing playability they have to offer. One of Solinco’s latest products is a Hyper-G/Hyper-G “Round” hybrid string setup, which gives players who use the round-shaped string in the crosses  extra spin. In the modern age of tennis, poly/poly hybrids seem to be the future, and this one is at the top of my list. 

Solinco Hyper-G Strings

You have probably played with or seen these bright neon green strings around the club or public courts. Solinco Hyper-G strings are a cult favorite among the top professionals, youth and college players, and even club pros. Since its inception in the ’80s, the Los Angeles-based independent tennis company has been producing some of the most interesting strings around. They finally got into the racquet game in 2022 with their Whiteout and Blackout frames, but the Hyper-G strings are what brought them into the limelight. Combining control and spin, you will love the amazing playability they have to offer. One of Solinco’s latest products is a Hyper-G/Hyper-G “Round” hybrid string setup, which gives players who use the round-shaped string in the crosses  extra spin. In the modern age of tennis, poly/poly hybrids seem to be the future, and this one is at the top of my list. 

Head Prestige 95

The Head Prestige line of racquets has a deep and rich history. It’s one of the legacy franchises that have stood the tests of time, like Wilson’s Pro Staff line. The Head Prestige Tour is a remarkable racquet in a generation of larger head sizes. Most racquets are 100 square inches, or if you are playing small, 98 inches. But the Prestige Tour might just persuade you to drop down to 95 inches. At 332g strung weight, the Prestige might seem heavy on paper, but the head size balances it out by making it very maneuverable around the net and ground strokes. The frame is a chunkier box beam, which is a great update for anyone who loves traditional box beam Prestiges. If you don’t know, box beams add more control, and rounded beams give more power. This racquet seems to be a good combination to give you a little more sauce than the powerless Prestige Pro. And when you hit the sweet spot of a 95-inch racquet, you will be addicted. ($269) 

Head Prestige 95

The Head Prestige line of racquets has a deep and rich history. It’s one of the legacy franchises that have stood the tests of time, like Wilson’s Pro Staff line. The Head Prestige Tour is a remarkable racquet in a generation of larger head sizes. Most racquets are 100 square inches, or if you are playing small, 98 inches. But the Prestige Tour might just persuade you to drop down to 95 inches. At 332g strung weight, the Prestige might seem heavy on paper, but the head size balances it out by making it very maneuverable around the net and ground strokes. The frame is a chunkier box beam, which is a great update for anyone who loves traditional box beam Prestiges. If you don’t know, box beams add more control, and rounded beams give more power. This racquet seems to be a good combination to give you a little more sauce than the powerless Prestige Pro. And when you hit the sweet spot of a 95-inch racquet, you will be addicted. ($269) 

FAIRWAY LEATHER GRIP BY BALMORTH OF ENGLAND

As you go deeper down the tennis-gear rabbit hole, as I have, you will find yourself being obsessed with customization. Once that happens, one of the first things you need to do is get yourself a leather grip. Leather grips will give you the best sense of feel or feedback, as well as improving your control and touch. Leather grips also add about 15 to 20 grams, giving you more weight in the handle and making your racquet head-light so you can really whip the ball. Fairway leather grips are all crafted in England with the highest attention to quality. This is as good as it gets. ($17.99) 

FAIRWAY LEATHER GRIP BY BALMORTH OF ENGLAND

As you go deeper down the tennis-gear rabbit hole, as I have, you will find yourself being obsessed with customization. Once that happens, one of the first things you need to do is get yourself a leather grip. Leather grips will give you the best sense of feel or feedback, as well as improving your control and touch. Leather grips also add about 15 to 20 grams, giving you more weight in the handle and making your racquet head-light so you can really whip the ball. Fairway leather grips are all crafted in England with the highest attention to quality. This is as good as it gets. ($17.99) 

MIZUNO WAVE EXCEED TOUR 6

Do you want a lightweight shoe that gives you amazing maneuverability? You found it with the Wave Exceed Tour 6. The Wave Exceed has mastered the lightweight low-profile tennis shoe—unlike most tennis shoes, which are over-designed and have too much TPU (thermoplastic polyurethane, the stuff the sole is made out of) on the upper and make the shoe annoyingly stiff. The Exceed’s TPU pattern design is perfection, making it very flexible and beautiful. No wonder the shoe has been on the market for years, basically unchanged. ($140)

MIZUNO WAVE EXCEED TOUR 6

Do you want a lightweight shoe that gives you amazing maneuverability? You found it with the Wave Exceed Tour 6. The Wave Exceed has mastered the lightweight low-profile tennis shoe—unlike most tennis shoes, which are over-designed and have too much TPU (thermoplastic polyurethane, the stuff the sole is made out of) on the upper and make the shoe annoyingly stiff. The Exceed’s TPU pattern design is perfection, making it very flexible and beautiful. No wonder the shoe has been on the market for years, basically unchanged. ($140) 

BRAIN DEAD EQUIPMENT TENNIS TOTE

I am usually not one to plug my own product, but when we designed this tennis tote, we made it so it would be worthy of a review. The Brain Dead Equipment Tote is not only for casual players, but also has specs to cater to the advanced player with lots of gear who wants a bag for playing all day. This bag holds three racquets, it has three ball canister pockets that also hold water bottles, and there’s a massive tote bag pocket with cargos inside. The tote is perfect for the bus, the trunk of your car, and even the plane. ($150) 

BRAIN DEAD EQUIPMENT TENNIS TOTE

I am usually not one to plug my own product, but when we designed this tennis tote, we made it so it would be worthy of a review. The Brain Dead Equipment Tote is not only for casual players, but also has specs to cater to the advanced player with lots of gear who wants a bag for playing all day. This bag holds three racquets, it has three ball canister pockets that also hold water bottles, and there’s a massive tote bag pocket with cargos inside. The tote is perfect for the bus, the trunk of your car, and even the plane. ($150) 

Experience the world of Brain Dead at wearebraindead.com and on
Instagram @wearebraindead.

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Offseason Shoe Report

The Offseason
Shoe Report

The Offseason
Shoe Report

New on-court and lifestyle shoes expand tennis offerings.

New on-court and lifestyle shoes expand tennis offerings.

By Tim Newcomb
December 4, 2024

The offseason—if the concept of an offseason even exists anymore in tennis—typically brings a flurry of new tennis gear announcements, and this year is no different. As far as footwear is concerned, Mizuno has launched a new on-court shoe, Adidas has given us an update to the Ubersonic line, Nike is still all-in on Naomi Osaka, and K-Swiss is dipping into nostalgia for a new lifestyle model. As other brands will certainly enter the fray over the next few months with updated offerings, here’s a roundup of the latest.

Adidas Adizero Ubersonic 5

The Adidas Ubersonic franchise, focused on on-court speed, continues its fascination with lightweight movement with the line’s new Adizero Ubersonic 5. Announced Dec. 3, the shoe features a Speedframe technology new to tennis that boasts a three-piece heel construction popular in soccer and rugby cleats for stability during rapid changes of direction. The low-profile Lightstrike foam midsole and upper (the brand’s proprietary lightweight cushioning and mesh) create a low-to-the-ground feel with minimal weight. The shoe will debut during the Australian Open in “lucid red.”

Images courtesy of Adidas

Images courtesy of Adidas

Mizuno Wave Enforce Court

The long-standing and popular Mizuno Wave Enforce Tour now has a new on-court sibling in the Wave Enforce Court, a lighter version of the Tour model. Complete with the brand’s Enerzy foam paired with additional foam to make this the most cushioned option in the Mizuno stable, the latest from Mizuno signals an emphasis on growing the Mizuno tennis footwear lineup.

Image courtesy of Mizuno

Image courtesy of Mizuno

Nike GP Challenge 1 Osaka

Naomi Osaka is still making her fashion mark at Nike. The latest in a line of retail-ready player-edition models has been released with a new on-court GP Challenge 1. This “Osaka” version features plenty of brown and orange hues and comes with Osaka’s “NO” logo on the tongue. As with other models, the phrase “Return unto others twice as hard as they serve unto you” is on the shoe’s upper.

Image courtesy of Nike

Image courtesy of Nike

K-Swiss Si-18 International

An on-court mainstay when first introduced in 1989, the Si-18 International has been reissued once again by K-Swiss as a vintage lifestyle model. The flagship red, white, and blue retains its classic look, complete with the flags of the home countries of the sport’s four tennis majors on the back heel. The brand says the model is reengineered for additional comfort while still featuring a leather upper and a ski-boot-inspired cinch lacing system.

Image courtesy of K-Swiss

Image courtesy of K-Swiss

Follow Tim Newcomb’s tennis gear coverage on Instagram at Felt Alley Tennis.

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