Stallions Only
Stallions Only
Stallions Only
Matteo Berrettini and Jannik Sinner bring Week 2 energy to the second round.
Matteo Berrettini and Jannik Sinner bring Week 2 energy to the second round.
By Giri Nathan
July 4, 2024

Sinner striking. // Craig E. Shapiro

Sinner striking. // Craig E. Shapiro
Wednesday night at Wimbledon the press box on Centre Court was densely, vibrantly Italian. That was only right: Matteo Berrettini and Jannik Sinner stood on the grass before us, a contest so promising that you wish it was taking place deep into week 2. But this was just a second-round match, since Berrettini, the finalist here three years ago, is still working his way up into the top 50 after some loss of form and a six-month injury layoff. That meant that he wasn’t present in the office to witness his countryman’s rather abrupt transformation into the top player in the world. “At the end of last year I was injured and I wasn’t on tour to see him live with my eyes. And then I had the chance to go to the Davis Cup and it was unbelievable,” Berrettini said earlier this week. “It was like we were looking at each other saying, ‘Is this guy real?’ Because he wasn’t missing. Hitting every ball full power.”
At that Davis Cup, Sinner led Italy to the title, dispatching Novak Djokovic for the second time in a two-week span, and then he more or less sustained that rampage until the present day. He’s gone 38–3 since that moment, and now the 28-year-old Berrettini is the one drawing inspiration from the man six years his junior: “Personally, it gives me so much energy to just try to be there and to play against him and to be at his level. For me, it’s really useful.” On Wednesday, he spent the better part of four hours staying right on Sinner’s level, enforcing his own brand of heavyweight tennis and losing only by the tiniest of tiebreak margins, 7–6(3), 7–6(4), 2–6, 7–6(4), a Berrettini-on-grass scoreline if I’ve ever seen one. The tail end of every set always turned up to brilliance; the crowd was often lured onto its feet by the sheer quality; the Italian press corps was chirping, pontificating, and lightly admonishing one another not to openly cheer for the elder underdog Matteo Berrettini. In the end the top seed kept hacking his way through what projects to be a vicious Wimbledon draw.
Over my first watch of Berrettini on grass in person, his history of success on this surface became more legible to me. Even the parts I already understood on paper. It’s one thing to read 129 mph on your TV screen, and it’s another to see it just slide irretrievably off the turf, past a brilliant returner who has even guessed correctly. I was most struck by his court sense and comfort using the attributes of a grass court to his advantage. Sinner’s game plan was obvious from the get-to, and it’s not an uncommon one against this particular opponent: Take the pain to Berrettini’s backhand side, since his stiff two-handed backhand is a ghost of his potent forehand. But the big man compensates that with a backhand slice I knew to be effective but didn’t fully appreciate until I saw, up close, how accurately he places it, how its slow movement through the air buys him some time to recover in rallies, and how it barely bounces off the grass. It’s one of the finest slices on tour, and Sinner tested it with his endless backhand crosses—a match-long cross-examination that rarely elicited a flinch. In the rally of the match, he sent one slice around the net post that had me hooting. Berrettini even liked to cheat his court position over to the ad side, shrinking the possible space where Sinner could find his backhand and daring Sinner to take his backhand down the line, which he shied away from for much of the match, perhaps because of how difficult it was to lift that low slice up and over the net and into the court. Berrettini throws big punches, but it’s that defense and craft that keep him alive in these contests against better players.
Even as Berrettini approached his old grass-court glory, Sinner steadily revealed the extra substance in his game, seen most clearly in the tiebreaks, where he was better equipped to win any given point on either side of the ball. Sinner is so balanced, so consistent a threat in every moment, on both wings. While Berrettini came away with four breaks of serve compared with Sinner’s two, that’s slightly misleading, because it was the world No. 1 who placed more pressure on return throughout the contest, winning 59 points on return to Berrettini’s 38. I loved watching him bob and weave around the Berrettini service bombs. One second he’d be throwing his gangly limbs out of the way of a body serve, the next he’d be blanketing a second serve with perfectly grooved timing. He tinkered a little with his setup, and I asked him afterward how he thinks about return positioning when playing a server as good as his friend Matteo. He said that the way the ball slips off grass makes it hard to get too experimental with positioning, but he tried to mix it up on second serves. “It’s also a little bit a gut feeling, no? Which can help you, and you just have to go for it.” In a match against Berrettini, you might just have to have the correct gut intuition five or six times to turn the whole contest in your favor. When Berrettini appeared in press, he was equal parts disappointment and relief. “I think he missed three balls in the whole match. It didn’t give me that oxygen that sometimes you need,” he said. “But I think he surprised me, and I surprised myself also, how I was handling the level.” After a long time away from the sport’s elite, it must feel good to know you can still hang.

Berrettini battling. // Craig E. Shapiro

Berrettini battling. // Craig E. Shapiro

SIGN UP — YOU'RE ONLY AS GOOD AS YOUR SECOND SERVE.
The 2024 Wimbledon Shoe Report
The 2024 Wimbledon
Shoe Report
The 2024 Wimbledon
Shoe Report
The Championships bring subtle sneaker tweaks.
The Championships bring subtle sneaker tweaks.
By Tim Newcomb
July 3, 2024


Let’s get the obvious out of the way first: Wimbledon footwear is all about white. And not a lot more. Coming on the heels of the fashion-forward Roland-Garros, brands dipping their toes in the Parisian style came away with a bit of clay on the outsole. When it comes time for Wimbledon in London, just a few weeks later, there’s not a lot of colorful leeway, so expect the grass stains to combine with one main color—or lack of color.
While the Australian Open is known for brands introducing new footwear styles for the calendar year, Roland-Garros an effort to show off Parisian-inspired design, and the late-summer US Open all about making a late-season splash, brands have the double whammy of Wimbledon that keeps them subdued, both the restrictive color rules and the fact that grass-soled shoes aren’t typically a retail offering (it is actually rare for a brand to sell a grass-soled shoe in the United States).
As we look to 2024 Wimbledon in footwear, design is largely defined by accents. This year we see plenty of black (Asics, New Balance, Yonex, On, Adidas, and Lotto) and green (Wilson, Novak Djokovic, Naomi Osaka, and Lacoste), even if we have a few notable snippets to discuss.
CARLOS ALCARAZ
Nike Zoom Vapor 11 Carlos PE
Carlos Alcaraz is donning a player-edition version of the Nike Vapor 11, his with soft blue accents on the collar, Swoosh, and in a diamond pattern on the midfoot. We don’t know a lot about what’s under the hood of the Vapor 11 for Alcaraz, but seeing him get special treatment with the colorway—and seeing that it is now available as a retail option—leaves us hopeful that by the U.S. Open Nike will give us an entire Alcaraz color story. With the Spaniard leading the new crop of male tennis athletes for Nike—Jannik Sinner is also a Nike athlete, but he’s not as willing to try new styles when it comes to his sneakers—if the brand wants to continue to make a splash in men’s tennis, expect it to happen with Alcaraz.

Images courtesy of Nike

Images courtesy of Nike
BALL KIDS
Babolat SFX 3 Wimbledon
The official sponsor of Wimbledon footwear, Babolat outfits the ball kids. That includes the footwear, a choice between the SFX 3 Wimbledon or Propulse Junior Wimbledon. The SFX 3 model is a white base, obviously, but comes accented in gold and with the official Wimbledon logo on the tongue. The Propulse Junior offers up silver accenting and moves the official tournament logo to the heel.

Images courtesy of Babolat

Images courtesy of Babolat
NAOMI OSAKA
Nike GP Challenge 1
Naomi Osaka gets special treatment at Nike. That includes everything from her kit to her footwear. Wearing the GP Challenge 1, Osaka has come to Wimbledon with green accents on her shoe and her personalized “NO” logo on the tongue of the model.

Image courtesy of Craig E. Shapiro

Image courtesy of Craig E. Shapiro
COCO GAUFF
New Balance Coco CG1
Typically, New Balance makes a big deal—rightfully so, in the opinion of tennis sneaker lovers—of each new colorway of the only signature shoe in the game for an active player, but this year’s Wimbledon has little fanfare (just wait until we tell you about the upcoming Olympics model, though!). Gauff is wearing an all-white Coco CG1 with a slight outline of neon around the black “N” logo on the heel, splashing a bit of color that the rest of the New Balance athletes don’t enjoy.

Alamy

Alamy
DANIIL MEDVEDEV
Lacoste AG-LT Ultra
Lacoste has brought out a players-only grass-court version of the AG-LT23, and Daniil Medvedev is again sporting a version with his personal logo.

Images courtesy of Lacoste

Images courtesy of Lacoste
NOVAK DJOKOVIC
Asics Court FF3 “Novak”
Novak Djokovic has a green-accented version of his Asics Court FF 3, even as all the other Asics athletes have black. The Djokovic shoe also features a “24” on the lateral side, signifying how many major championships he has won.

Images courtesy of Asics

Images courtesy of Asics





— Wilson wowed with a Wimbledon dress for Marta Kostyuk inspired by the wedding dress Wilson designed for her November 2023 wedding, but her shoes offer the latest in performance models from the brand. The brand-new Wilson Rush Pro 4.5 features a green accent.
— When Andy Murray takes the court in the doubles, this will likely be the last time we see Under Armour tennis shoes on a grass court. For a brand that has never released a tennis shoe at retail, Murray has given them quite a run, still dipping into a stash of shoes he has worn since leaving the brand in 2018.
— Leylah Fernandez is one of the most interesting sneaker stories in the sport without trying to be. The Lululemon athlete does not have a footwear deal and surprised at the 2023 US Open by wearing the Breanna Stewart signature basketball shoe from Puma (she bought them on her own without Puma knowing) during the doubles portion of the tournament. She stuck with the shoe in Australia, but the need for a clay-court sole had her wearing On at Roland-Garros. Earlier in the grass season she sported Asics, but is back in On for Wimbledon.

Follow Tim Newcomb’s tennis gear coverage on Instagram at Felt Alley Tennis.
SIGN UP — YOU'RE ONLY AS GOOD AS YOUR SECOND SERVE.
Back on Track
Back on Track
Back on Track
Three years after her victory at the US Open, Emma Raducanu is still in pursuit of a normal season as she heads into Wimbledon.
Three years after her victory at the US Open, Emma Raducanu is still in pursuit of a normal season as she heads into Wimbledon.
By Giri Nathan
June 28, 2024

Emma Raducanu is all smiles after defeating Jess Pegula at Eastbourne. // AP

Emma Raducanu is all smiles after defeating Jess Pegula at Eastbourne. // AP
Some people’s lives, or at least tennis careers, seem to arrive all out of order. In a vacuum, how would you chronologically sequence the following events in someone’s career?
A. Win the US Open
B. Enter the top 20 for the first time
C. Hire a sixth coach after firing five in a two-year span
D. In a meaningful sign of progress, beat the world No. 274 and world No. 127 in Nottingham to rise into the top 200
E. Win first-ever set against a top 10 player
I’d probably go with D, E, B, A, C for narrative coherence. But for Emma Raducanu, the answer is exactly the jumbled order you see above. She did claim the 2021 US Open as a teenage qualifier, and she did only enter the top 20 a few weeks after that title. And then over the next two years, she did cycle through a whole roster of coaches while coping with constant injuries and surgeries that pulled her out of the top 300, to such a degree that it was a genuinely positive sign for her to log consecutive wins against modest competition at Nottingham last week. And then her win over Jess Pegula in Eastbourne on Wednesday was—surprisingly—the first time she had taken one set off of a top 10 player, let alone a victory. (If you’ll recall, during that 2021 US Open, it was the other surprise teenage finalist, Leylah Fernandez, who eliminated all those seeded players in spectacular three-setters. Raducanu did defeat Maria Sakkari and Belinda Bencic, who were top 10 in the singles race at that point but were not technically top 10 players due to some COVID-era rankings weirdness.)
Three years after her major victory, Raducanu is arguably still in pursuit of a normal season as a professional, something that could fit in the yawning expanse between “winning 10 matches in a row to claim a US Open title as an 18-year-old qualifier” (2021) and “missing six months of tour due to surgeries on her ankle and both wrists” (2023). Something straight down the middle, like “top 30 player who competes on tour most weeks,” a standard she is surely talented enough to achieve. She might be discovering that normalcy as we speak. She entered the year ranked just outside the top 300 and since then has received a few wild cards, remained decently healthy, picked up some inspired wins, and played one extremely competitive tiebreak set against Iga Swiatek on clay. (That’s a lot more traction than most of Iga’s victims over the past few months can boast.) Raducanu’s clay season ended early, though, as she was too fatigued to play in Rome and didn’t receive a wild card to the main draw at Roland-Garros; she decided to skip out on qualifying, pull out of the Olympics, and prep for the other surfaces instead.
So far that’s looking like a sound decision. She’s won five matches on grass, plus a walkover. Two weeks ago she made the semifinals at the 250 in Nottingham, narrowly losing to the eventual champion Katie Boulter. This week in Eastbourne, Raducanu blew away Sloane Stephens and managed to beat Pegula in a knotty three-set comeback that saw her erase one match point in the second set and attempt to serve for the match three separate times. Later Raducanu described the victory over a newly in-form Pegula, who just won a grass title in Berlin, as one of the most meaningful of her career. These past few weeks have served as a reminder of how fundamentally solid Raducanu’s baseline game is, that exceptional movement and balance and timing on the ball. She wasn’t able to put much of that skill to use in Eastbourne on Thursday, when she was pitted against Daria Kasatkina in ultra-windy conditions. Raducanu often seemed to be lashing away while off-balance; Kasatkina, meanwhile, has hands so good that she’d be the favorite on any blustery day demanding constant last-second adjustments, and she won 6–2, 6–2.
“Yesterday [against Pegula] it was a much better level of tennis because conditions suited it better. It was just more clean ball-striking,” Raducanu said afterward. “Today it was the complete opposite. It was more about the scrappy little shots that are dying. The slower you actually hit the ball today, the more difficult it was to deal with, because it would just hold in the air and move and cut with all the spin.” On the whole, though, she said she was happy with her performance and her physical recovery from three straight days of tennis. She’s in the best stretch of her career since her US Open victory and will hop up some 33 ranking slots to No. 133 next week. Now she heads to Wimbledon, the tournament where she first broke out three years ago with a shock fourth-round appearance, and where perhaps she can continue to assemble a more straightforward and sustainable future.

The Hopper
—The Wimbledon seeds are out. and somehow Novak is one of them.
—Nobody is playing the Olympics, it seems.
—Tara Moore bounces back.
—Defector’s Owen Lewis despairs about the state of tennis highlights.
—Garbiñe Muguruza has been named the Riyadh tournament director.
—From the Guardian: Life at the Bottom
—A look at grass court tournaments of yore.

SIGN UP — YOU'RE ONLY AS GOOD AS YOUR SECOND SERVE.
A Fresh Cut
A Fresh Cut
A Fresh Cut
ESPN wants tennis to stop obsessing over its ex.
ESPN wants tennis to stop obsessing over its ex.
By AJ Eccles
June 27, 2024

The guard has changed. // ESPN

The guard has changed. // AP Images
“If you knew how much I looked at her pictures/You’d think we were best friends,” Olivia Rodrigo croons on “Obsessed,” a single from her recent album Guts that ESPN has chosen as the soundtrack to their 2024 Wimbledon ad. In its opening lines, “Obsessed” appears to be taking on toxic fandom—itself a topic of obsession in millennial and Gen Z pop culture—but the truth of the song quickly becomes clear.
“She’s been asleep on your side of the bed/And I love it,” is the whispered confession as Rodrigo unfurls the source of her toxicity. She’s obsessed with her lover’s ex, the scent of a ghost still present in a burgeoning situationship, driving the singer to distraction. It’s the perfect choice for ESPN’s Players Are Ready campaign, at once an admission of guilt and a call to action, challenging tennis and tennis fans to move on from echoes of the past.
Wimbledon is about remembering. Of every stop on the endless around-the-world-tour of the tennis calendar, it is London’s grassy crown jewel that most wants us to look to the past, to revel in tradition, to sip on nostalgia like an icy cup of Pimm’s. This is reflected in Wimbledon’s marketing materials—at their best the emotionally searing crescendo of In Pursuit of Greatness, and at their current worst the baffling written-by-committee slogan Always Like Never Before.
Either way, Wimbledon brands itself as past-become-present. An effective message for an aging audience, perhaps not for growing a base of Challengers-inspired newcomers.
Players Are Ready defies this tradition, exorcising tennis’ ghosts and forefronting only the faces of the present and the future: Gauff, Alcaraz, Sabalenka, Tiafoe, Osaka, Sinner. Names that are quickly growing in the public consciousness, a new, diverse, exciting group of stars who are moving the sport forward on and off the court in their own right.
To continue doing so, these young stars need the support of broadcasters, media, sponsors, and tournaments alike. Stardom is a bargain struck by multiple parties: You win, we report, they advertise.
It’s striking, after a decade of domination, to see a broadcaster advertising a major without Roger Federer, Serena Williams, Rafa Nadal, or Novak Djokovic. All four are present in Wimbledon’s own ad for 2024, even though the former two are retired, the latter two focused on Olympic preparation in varying states of disrepair. (Djokovic is, it seems for now, playing the tournament.)
Wimbledon isn’t wrong to honor tradition—sport is so much about warrior pretenders yearning to join the pantheon—but it’s time to admit that SW19’s service to the past has wandered into unhealthy obsession. Even with the most wonderful of exes, there comes a time to move on.
When a young champion lifts the trophy this year, one can only hope they don’t look out to the Wimbledon crowd wondering, in Rodrigo’s words, “Do you think about her?/No, I’m fine, it doesn’t matter, tell me…”
AJ Eccles is a writer from Brooklyn, NY.
SIGN UP — YOU'RE ONLY AS GOOD AS YOUR SECOND SERVE.
London’s Courts of Carnage
London's Courts of Carnage
London's Courts of Carnage
Part of the challenge of playing Wimbledon is getting there in one piece.
Part of the challenge of playing Wimbledon is getting there in one piece.
By Ben Rothenberg
June 21, 2024

Dan Evans' ass is grass. // AP Images

Dan Evans' ass is grass. // AP Images
The grass court season usually begins as it ends, with players on the ground. At the end of the grass campaign in mid-July, those players are collapsing to the lawn in delighted, disbelieving delirium, having just won Wimbledon. And these victories are nearly always the most satisfying to behold, as grass court tennis reliably proves some of the most watchable of the season for me. After the slog of clay, I love how grass rewards proactive, purposeful play. A player is rewarded both for hitting the ball hard and for hitting the ball at an unexpected angle or spin. Passive pushers get punished, which pleases me.
But at the beginning of each grass court tournament, the players are down on the ground unintentionally, having slipped and fallen on grass that is still sumptuously moist and slick. Sometimes the players get right back up quickly, other times it’s slowly. Sometimes slips that look catastrophic prove harmless; sometimes a short skid is career-altering. Grass court tennis is the wrong kind of suspenseful in this way, especially at the front end of each tournament.
As I watched one of the most creative craftswomen of the game, Bianca Andreescu, playing the grass court WTA tournament in ‘s-Hertogenbosch last weekend, my primary emotion was trepidation. Andreescu’s career has been derailed time and again by injury, and she’d slipped and fallen several times on the grass. When it looked like she was limping at one point, I wished she would stop before it got worse; I winced as it looked like she might risk another sidelining injury.
Even after I had started writing this piece, my fears were further justified: Defending Wimbledon champion Marketa Vondrousova slipped and fell awkwardly in Berlin and was forced to retire from the match. Her health outlook for a title defense (which would admittedly be a long shot) is unclear.
Grass can be so treacherous. pic.twitter.com/mPF9xAJF5x
— Tennis Blockade (@tennisblockade) June 20, 2024
But though many grass courts have their slippery streaks—even Wimbledon’s Centre Court took out Adrian Mannarino and Serena Williams in consecutive first-round matches in 2021—nowhere in tennis seems as time-testedly treacherous as the most upper-crust venue on the ATP Tour: Central London’s Queen’s Club. As attendees at arguably the snootiest stop on tour sip champagne, the lush grass has consistently caused top male players to slip and fall awkwardly; this week, both Frances Tiafoe and Dan Evans were felled as their feet went out from under them (Tiafoe said he has a grade 1 MCL sprain but hopes to recover for Wimbledon).
Queen’s Club’s outdated policy of not allowing players to practice on match courts before the tournament begins, making them maximally slick and unscuffed when competition begins, seems to be the major factor in the danger; Wimbledon used to have a similar policy, but reversed it after the spate of slips in 2021.
Another former U.S. men’s No. 1 who was watching Tiafoe’s injury empathized. “Queens is undoubtedly one of the best events of year, but the courts are diabolically slippery, especially on Monday and Tuesday,” John Isner tweeted. “Sucks for Frances, hope he can recover for SW19.” Isner, who famously spent longer on a grass court than anyone ever had before, said he didn’t have time for Queen’s Club late in his career. “Swore it off the last 7 years of my career,” the 6-foot-10 Isner wrote. “Big tree fall hard.”
Thanasi Kokkinakis, who like Andreescu has had his career derailed by injuries, chimed into Isner’s thread and confirmed that he had pulled out after winning in the first round of qualifying out of fear of injury if he stepped onto the courts again. “Yea man, so slippery out there,” Kokkinakis said.
The Lawn Tennis Association, the national governing body for tennis in Britain, has responded to the trend of players dropping in an amusing but profoundly unhelpful way, remixing the falls with footage of dancers shablamming to the ground.
Most players are reluctant to put Queen’s Club on full blast despite this apparent disregard for player safety, even as they agree on the conditions. “I mean, to be honest, it’s my complaint every year, I think: The courts are a little too slippery here,” Taylor Fritz told reporters after his first-round win at Queen’s Club this week. “Pretty much every year, someone takes a fall, I always feel like. I mean, don’t get me wrong, the courts are obviously very good grass courts, but, I mean, I feel like every year once I go to Eastbourne and Wimbledon from here, I feel like I have much more traction on the court. I feel like, here, I always have to watch it a little bit. I feel like I never move my best because I’m a little scared about it.”
As Isner had added in his tweet, the ultimate proof of the carnage at Queen’s Club is one of the game’s most missed: “Just ask Delpo,” Isner said.
Indeed, Juan Martin del Potro skidded slightly as he approached the net late in a first-round win over Denis Shapovalov at Queen’s Club in 2019. He finished the match and didn’t play another for nearly three years, a feeble farewell in Buenos Aires.
Long out of the game at just 35 years old, del Potro recently announced plans to open a namesake academy in Palm Beach County, Fla. The academy will be staged at the Indian Springs Country Club in Boynton Beach, which boasts 26 courts.
There will be 20 clay courts, six hard courts, and zero grass courts.
Ben Rothenberg is the author of Naomi Osaka: Her Journey to Finding Her Power and Her Voice.

The Hopper
—Emma Raducanu will not play on Andy Murray-led Olympics squad.
—And Sir Andge’s retirement is imminent.
—Wimbledon wild cards have been announced.
—And Billy Harris has received one of them.
—Ash Barty is returning to Wimbledon.
—Independent High-End Outdoors magazines are thriving.
—Serena Williams goes Hollywood.
—Sports Illustrated gets a new lease on life.

SIGN UP — YOU'RE ONLY AS GOOD AS YOUR SECOND SERVE.
Grazing in the Grass
Grazing in the Grass
Grazing in the Grass
The season heats up as red turns to green.
The season heats up as red turns to green.
By Giri Nathan
June 14, 2024

Will Carlitos have another season in the sun on the grass? // AP Images

Will Carlitos have another season in the sun on the grass? // AP Images
Tennis is back on grass, with a fresh spring in its step. For the first time ever, both tours are led by No.1 and No. 2 players who were babies of the 2000s. And they are all entering their first-ever grass season as established major champs.
It was a week of mixed signals for Jannik Sinner. Last Friday he lost a cramp-riddled, high-stress, five-set Roland-Garros semifinal to his pal Carlos Alcaraz, as both players inflicted a special kind of suffering that only they can offer each other. And just days later, on Monday, Sinner was crowned world No. 1 for the first time, a testament to his world-beating play ever since he puked in Beijing last fall. Despite exiting clay season with no titles, and having abdicated his duties of national glorification in Rome, and mild ongoing concern around his hip injury, Sinner has clearly been the best player in the world over the past 52 weeks, and he now has the numeral to back that up. I liked the way Andre Agassi put it in his congratulations for the Italian: If the universe had a tennis tournament, Earth would pick Jannik as its representative. For Sinner, this grass season will be a fascinating test of form. He is a radically different player than he was this time last year, and that dusty obsolete version still made the Wimbledon semifinals. The Sinner of present is an elite server, who patched up the biggest deficiency in his game with alarming thoroughness, winning a tour-best 91 percent of his service games over the past 52 weeks. Right now he might have the most reliable serve-plus-one in the world, and a staple diet of quick, low-impact points could be his key to grass success this year. I would expect his watery 14–10 career record on the surface to look very different a month from now.
Meanwhile, Carlos Alcaraz, the new world No. 2, will be trying to achieve the rare Roland-Garros–Wimbledon double, which would establish him as the modern master of the natural surfaces. If he doesn’t nail that combo this year, it is inevitable that he will someday, and perhaps even multiple times over. Carlitos has the relevant tools, all the improvisational gifts, and the adaptable movement style, switching from daring slides to careful pitter-patter with fluency. I get the sense that he could play on a court that was clay on the deuce side and grass on the ad side and do just fine. Compared with Sinner, Alcaraz has made less obvious advances since last season—this Roland-Garros was, more than anything, proof that he can win a major over the current field without ever operating in top gear for a whole match—but the player Alcaraz was last season was already good enough to dispatch a seven-time Wimbledon champion in the final. So we will see what madness he conjures up this time around. Last year he studied some YouTube videos of Roger Federer and Andy Murray footwork on grass and proceeded to go 12–0 on the surface. Maybe this time he’ll boot up some John Isner clips (please don’t watch any John Isner clips, Carlitos) and go unbroken during the tournament. As far as skill acquisition goes, I’m not sure we’ve ever seen this kind of prodigy before.
As these new names come into focus, the old ones go fuzzy. Rafael Nadal has announced that “the best for my body is not to change surface and keep playing on clay” until the Olympics. Although Rafa has been very sparing with the word “last,” he has confirmed that these Olympics will be his last. Instead of grass he will be preparing for the ATP 250 at Bastad, a tournament he has not played since he won it as an 18-year-old in 2005. In the years since, Nadal has been too busy going deep at Wimbledon to go back. As he did not get much match play in Roland-Garros, he has some warming up to do for the Olympics, which will take place on the very same clay courts, and where he will be playing doubles—pause this sentence to issue the loudest possible “VAMOS”—with his successor Carlitos. One much more consequential grass-court absence is Novak Djokovic, who has yet to officially rule it out but is evidently still recovering from injury. In a classic session of Djokovic-ing, he tamped down Francisco Cerundolo in their fourth-round match at Roland-Garros, despite going down a break in the fifth set, and despite taking a few falls on the slippery patches behind the baseline on Court Philippe Chatrier (which Alcaraz also complained about). Afterward it was revealed that he had won the match with a torn right meniscus, which is a testament to the power of painkillers and of Novak Djokovic’s mind. He withdrew from the tournament, got surgery in Paris, and was reportedly seen this week in Belgrade walking without crutches but with a limp. Hard to imagine that he is keen to hop right onto some slippery grass and defend last year’s Wimbledon runner-up, when the Olympics lie ahead and a gold medal is pretty much the only tennis achievement that has ever eluded him.
Beyond the marquee names, grass season is also time to consider its native species, the players who, like me, wish there were another few weeks of turf. (Grass-court joint 1000-level remains very high on my wish list.) It’s prime time for your Humbert, your Hubert. At top of mind is Alexander Bublik, who was returned to the ideal habitat for his huge serves, touch shots, and overpowering disgust for drawn-out tennis matches. Bublik won his first title on grass last year in Halle, playing the tennis of his life to eliminate Andrey Rublev in that final. This week he’s onto the quarterfinals in Stuttgart after eliminating the promising Serbian 20-year-old Hamad Medjedovic. Also through to the quarters in Stuttgart is a name that used to loom large in every grass season: Matteo Berrettini, who has had a stop-and-start year on tour. First there was a six-month layoff with an ankle injury, and then a runner-up at a Challenger in Phoenix, followed by a brief visit to muggy Miami where he almost fainted on court during a loss to Andy Murray, and then a tournament win on clay in Marrakesh, only for him to then pull out of the majority of the clay season. Though he was relatively old at the time of his breakthrough, Berrettini is still just 28 years old and has looked sharp moving through his first two rounds at Stuttgart, a tournament he has won twice before. The Berrettini serve-and-forehand, backed up by a bit of slice, are good enough to unseat most opponents on the surface. Last year at Wimbledon he took out Alex de Minaur and Sascha Zverev before losing to Alcaraz in four. I wouldn’t be surprised if he can still make a little noise over the next month, even though the top of the tour has reconfigured itself in its absence.

The Hopper
—Taylor Swift personally congratulated Iga Swiatek on her Roland Garros victory (as the champ withdraws from Berlin.)
—Carlitos and Rafaelitos will be playing doubles together at the Olympics.
—French Open coverage is moving to TNT
—Andy Murray has thoughts on Wimbledon’s match scheduling.
—Sports Illustrated’s owner is suing its former publisher.
—The Defector Tennis Bureau says goodbye to Roland-Garros and takes aim at a tennis news aggregation account.

SIGN UP — YOU'RE ONLY AS GOOD AS YOUR SECOND SERVE.
Wilson Pro Staff 87 in Living Color
Wilson Pro Staff 87
in Living Color
Wilson is finally ready to embrace its footwear archive.
Wilson is finally ready to embrace its footwear archive.
By Tim Newcomb
June 12, 2024

Image courtesy of Wilson

Image courtesy of Wilson
Wilson’s dip into its footwear archives comes with a little touch of color. It all starts with the rerelease of the Pro Staff 87, updated with both modern technologies and in a new array of design options. And that’s just the beginning.
“The Pro Staff 87 is a classic silhouette that we believe has tremendous potential for creative expression through new colorways,” said Shivam Bhan, Wilson senior director of product and merchandising.
That means the June release of the Pro Staff 87 in four different color combinations is just the beginning.
The Pro Staff shoe has released in a mixture of styles since the 1987 debut. In March, Wilson updated the silhouette with a fresh take on the leather upper, the addition of the brand’s R-DST+ foam for enhanced cushioning that combines with a new Ortholite sockliner, and Duralast rubber for some durability in case you take the lifestyle-focused shoe for a spin on a court. Wilson also updated the fit by crafting it on the brand’s performance last, “which allows for a more accommodating fit,” Bhan says.
Sure, the primary goal of the Pro Staff 87 is a “highly comfortable lifestyle option,” but the purpose doesn’t stop there. “The shoe pays homage to its athletic roots while being versatile enough for everyday wear,” Bhan says. “However, it retains enough performance features that those who choose to play in them can still enjoy a great experience.”
That March update, though, released in just the original white, blue, and red colorway. Wilson gave fans of the silhouette something completely updated in June, restocking the original colorway but also launching green on white, blue on white, and white on white for a total of four colorways of the Wilson Pro Staff 87.
Expect Wilson to continue to mine the value of a shoe that has been a staple of the brand. “The Pro Staff moniker at Wilson has always represented the best in the game—you can trace the design lineage through the past 36 years of the original Pro Staff 87 in much of what Wilson has done and continues to do,” Bhan says.
So, anticipate not only a mix of fresh colorway options in the future, but also Wilson embracing new materials. That’s not all. “Expect more from us on the Pro Staff family,” Bhan says, “and sharing more of the incredible styles in the Wilson footwear vault.”

Follow Tim Newcomb’s tennis gear coverage on Instagram at Felt Alley Tennis.
SIGN UP — YOU'RE ONLY AS GOOD AS YOUR SECOND SERVE.


SIGN UP — YOU'RE ONLY AS GOOD AS YOUR SECOND SERVE.
Dream Baby Dream
Dream Baby Dream
Dream Baby Dream
Few had Jasmine Paolini and Mirra Andreeva in the Roland-Garros semifinal.
Few had Jasmine Paolini and Mirra Andreeva in the Roland-Garros semifinal.
By Giri Nathan
June 7, 2024

Mirra Andreeva during her semifinal match against Jasmine Paolini // AP Images

Mirra Andreeva during her semifinal match against Jasmine Paolini // AP Images
I knew Mirra Andreeva was a real one when, as a 16-year-old winning big matches at the Australian Open this year, she said, “Fourth round is nothing.” What 16-year-old says such a thing? Those words should have frightened every active WTA player. In the time since delivering that bone-chilling quote, Andreeva turned 17 and, this week, became the youngest major semifinalist since Martina Hingis in 1997. But to call her semifinal run at Roland-Garros miraculous would be slightly misleading. It’s more of an addendum to an ongoing miracle. Andreeva has skipped the early struggle phase of her career, at least as far as the most important tournaments are concerned. The prodigy has appeared in five majors now, and she has always come away with wins: third round, fourth round, second round, fourth round, semifinal.
While she’s had her slump weeks on tour, whenever the pressure, prestige, and payouts are highest, she delivers way beyond her years. There are still some rough spots in Andreeva’s game—that serve can get picked on—but her indefatigable defense and terrifyingly steady mind were enough to take her deep into the second week on the clay. On Wednesday, in the biggest win of her prodigious career, she dispatched No. 2 seed Aryna Sabalenka, who might have been having an off day physically but was still on enough to wipe out much of the tour. Andreeva had recently been routed by Sabalenka in Madrid but came away with the three-set win this time, forcing Sabalenka into errors with brutal consistency. “I always play the way I want to play. We have a plan with my coach for the match, but after, I forget everything, and when I play a match, I don’t have any thoughts in my head,” she said afterward, essentially describing the ideal flow state for an athlete. How much further could this powerful teen brain take her in the tournament?
Not much further. Andreeva was briefly in tears as she lost to her semifinal opponent Jasmine Paolini, a charismatic 28-year-old Italian whose career has blown up over the past nine months. If Andreeva is proof that a kid can arrive on tour with nearly everything figured out, Paolini conversely offers hope to the late bloomers. Some things take time. To take one example: She was a latecomer to hard courts and has said she didn’t play a tournament on the surface until she was 14. Paolini was well into her pro career when she figured out she didn’t have to artificially change up her game too much to suit the hard court and could play more or less the way she liked to play on her native clay, and then, look at that, she went and won a 1000-level title in Dubai this season. (Someone should have told her: Surface homogenization is real!)
Paolini, who will enter the top 10 next week, is still a real natural on the clay, finding angles with her high-kicking forehand, flying around with wondrous footwork, and working around the serve-based limitations that come with being 5 foot 4. She has eliminated some big names this week, and she never let Andreeva find a single foothold in their semifinal match, despite having lost to her in Madrid just a few weeks ago. This tournament marks her first trip past the fourth round of a major tournament. Alongside Jannik Sinner, Paolini has fashioned a dream fortnight for Italian tennis. “I learned a bit later than other players maybe, but to dream is the most important thing in sport and life. I’m happy I could dream this moment,” she said after her semifinal win.
As joyous as this run to the final has been, Paolini, in all likelihood, has about an hour of play time on Court Philippe-Chatrier on Saturday. That’s because Iga Swiatek, after going down match point to Naomi Osaka in the second round, has been untouchable ever since, extending her win streak at Roland-Garros to 20 matches. In Thursday’s semifinal, the No. 1 seed continued her comprehensive campaign against Coco Gauff’s happiness, taking their head-to-head record to 11–1 all-time, with all of those wins in straight sets. Gauff, trying a new tactic, opened the match by hitting more aggressively than she had in previous outings, but errors accumulated and it fizzled out. For all her success elsewhere on tour, Gauff, who will rise to No. 2 in the world next week, is still stuck in hell as far as this particular matchup is concerned. And Swiatek, to a degree that would make her retiring idol Rafa proud, enters every Roland-Garros final with an aura of total impermeability.

Jasmine Paolini during her semifinals win over Mirra Andreeva. // AP Images

Jasmine Paolini during her semifinals win over Mirra Andreeva. // AP Images

The Hopper
—Sascha Zverev’s domestic abuse case has been “discontinued”.
—Novak has had knee surgery, leaving his season in doubt.
—For our NYC readers: There’s a bad atmosphere at the public courts in Bed Stuy.
—Not everyone is happy that Rafa is playing in the Olympics.
—Speaking of Rafa, Giri reports in Defector that there will be no tidy ending to his career.
—The Atlantic waxes poetic on the one-handed backhand.

SIGN UP — YOU'RE ONLY AS GOOD AS YOUR SECOND SERVE.
A Red X
A Red X
A Red X
Naomi Osaka has good reasons to be proud of herself.
Naomi Osaka has good reasons to be proud of herself.
By Ben Rothenberg
May 30, 2024

Naomi Osaka finds her focus during her first round match against Lucia Bronzetti. // Craig E. Shapiro

Naomi Osaka finds her focus during her first round match against Lucia Bronzetti. // Craig E. Shapiro
As I watched Naomi Osaka early in her match against top-ranked Iga Swiatek on Wednesday afternoon, it was the voice of Naomi’s role model Serena Williams that echoed in my head.
“I have had a big red X on my back since I won the US Open in ’99,” Serena had said at the 2022 US Open, her farewell tournament. “It’s been there my entire career, because I won my first Grand Slam early in my career.”
That “red X” —that mark, that target, that burden—of being the star, the player to beat, had been stamped on Serena for decades. Only at her very last tournament, she said, did she feel free from it at last.
The most recent bearer of a red X in women’s tennis was Naomi Osaka. At some point in late 2020 or early 2021, through a combination of off-court activism and on-court dominance that gave her a nearly Williams-esque level of cultural resonance, Naomi inherited that red X from Serena. Perhaps it was handed off in the semifinals of the 2021 Australian Open, when Naomi dominated Serena in straight sets, effectively ending Serena’s last real chance to win that elusive 24th Grand Slam.
Whenever the handoff happened, the strain that the red X caused Naomi was apparent and well-documented. She struggled on court and off, mentally and emotionally. She was celebrated about being open with her struggles, but she has not been the same best-in-the-world player, results-wise, since.
With time away from the top of the ladder, the red X has faded from Naomi. Whether anyone else has inherited it since is debatable (did some lowercase version of the X cause Ash Barty’s early retirement?), but it isn’t Naomi’s burden anymore.
Naomi’s freedom, finally having no cross to bear, was immediately apparent as her second-round match against Swiatek began Wednesday afternoon under the closed roof of Court Philippe Chatrier. Not since Naomi first became a Slam champ or first took on the red X has there been a match in which so little was expected of her. Oddsmakers had Naomi as something like a 12-to-1 underdog, the same sort of odds the obscure Roberto Carballes Baena is getting to beat Djokovic.
That assessment seemed fair. All her best tournaments, historically, have been on hard courts. Naomi has been fairly whelming this season, neither under nor over. She’s had some solid wins but has reached only one quarterfinal in nine tournaments so far this year (helped to that stage in Doha by a walkover).
“The results aren’t resulting right now,” Naomi said Wednesday of her season so far.
And in Swiatek, Naomi was against the tournament’s prohibitive favorite. The three-time French Open champion’s long winning streak in Paris is mirrored by her active match-win streak this clay season, coming into Roland-Garros with recent titles in Rome and Madrid after completing the Dinara Double. Swiatek beats opponents with consistency and completeness, often baking 6–0 and 6–1 sets into her scorelines.
But instead of feeling daunted or defeated by her dim chances, Naomi appeared lightened in many ways. She swung freely from the beginning of the match, playing with a clarity she has rarely shown in recent years. She looked lighter physically, too: She flew around the red clay court swiftly and comfortably, perhaps showing the benefits of taking recent movement lessons from a ballerina. As could be expected, she has gotten noticeably fitter during each successive month of her return from maternity leave; her fitness has often strongly correlated to her results during her career.
On Wednesday, Naomi was playing with the clean mind of a player who had never worn that red X at all. Naomi, the four-time major champion, played with nothing to lose against the other four-time major champion, and the effect was glorious. With still conditions under the Chatrier roof, Naomi pounded eight aces to Swiatek’s zero. She hit 54 winners against just 38 unforced errors.
After losing a tight first set, Naomi was suddenly running away with the match, winning the second 6–1—handing Swiatek a reversal of her usual scoreboard dominance—and racing out to a 4–1 lead in the third set.
After not converting a break point for 5–1, Naomi held for 5–2. Naomi had a 15–30 lead but badly missed a short forehand.
When Swiatek held and put the match on Naomi’s racquet at 5–3, suddenly the weight of the occasion seemed to arrive all at once. After putting herself within one point of victory, Naomi buckled. Easy shots were missed repeatedly. Other choices were second-guessed out of panic. The last five games, and the match, all went to Swiatek. 7–6(1), 1–6, 7–5.
The red X won’t reappear on Naomi after a loss, but she loudly reannounced herself as a player ready to tangle with the best once more. And more softly to herself, in her journal, she reoriented the shape into a plus sign.
“In it today I just wrote: ‘I’m proud of you,’” Naomi said of her journal entry after the match. “And I think for me, like, saying that to myself, it gives me a lot of power, because normally—not normally, but sometimes I curse myself out in my head, and it’s quite a negative feeling. Yeah, I would just say I’m proud of the journey. I’m hoping, hopefully it will get more and more positive.”
Ben Rothenberg is the author of Naomi Osaka: Her Journey to Finding Her Power and Her Voice.
SIGN UP — YOU'RE ONLY AS GOOD AS YOUR SECOND SERVE.
The 2024 Roland-Garros Shoe Report
The 2024 Roland-Garros
Shoe Report
The 2024 Roland-Garros
Shoe Report
The Parisian dirt is a backdrop for fresh colorways and collaborations.
The Parisian dirt is a backdrop for fresh colorways and collaborations.
By Tim Newcomb
May 28, 2024


Tennis takes on a distinct hue when entering the grounds of Roland-Garros for the French Open. The fashion follows suit. With the reds and oranges prominent across the Parisian grounds, shoemakers tune their colorways to match. This year, though, offers a unique approach to the clay, with New Balance celebrating gray, Asics embracing Novak Djokovic in red, and Babolat—yes, Babolat—partnering with Benoit Paire on a limited-edition model. Yup, Benoit Paire has his own special-edition sneaker design.
Let’s explore some of the best sneakers you’ll see in Paris this year.

Image courtesy of Babolat

Image courtesy of Babolat
BENOIT PAIRE
Babolat Propulse Fury 3 Paire
In one of the more startling—and we mean this in the most thrilling version of the word
possible—releases of the Roland-Garros season, French brand Babolat has paired with French player Benoit Paire on a special-edition clay Propulse Fury 3 model. And there’s nothing too bland about the symbolism in this design.
Released on May 8 as a limited global launch—only 48 pairs are being sold in the United States, for example—the white, orange, and black colorway matches his French Open kit from Celio. The Paire model also features distinct callouts on the side, such as the phrase “powered by Ben” and three symbols placed side by side. The tennis racquet and ball are a bit more mundane and self-explanatory, but then things get interesting. The middle symbol is a cocktail glass complete with what appears to be an olive on the rim of the glass. It is meant to symbolize Paire’s party lifestyle and his willingness to taunt those who don’t agree with it. The third symbol is a cat, a reference to a vulgar phrase he yells to opponents after they hit a winner.
Only Paire will wear the model during the French Open, giving the spirited player a unique aesthetic to go with his distinct personality.

Image courtesy of New Balance

Image courtesy of New Balance
COCO GAUFF
New Balance Coco CG1 “Grey”
With the only signature* shoe in the sport, we can expect something special from New Balance and Coco Gauff every single major. But the 2024 French Open falling in May offers up a style bigger than a fresh colorway for the Coco Gauff CG1 sneaker.
New Balance has long celebrated the color gray as a brand-wide signature color for performance shoes since the 1980s—originally it was meant to help what were primarily white shoes not show use as quickly. What was once an annual May 1 release of gray styles turned into a May-long event in 2024, with the Grey CG1 releasing May 24, ahead of the French Open.
This special-edition Grey Coco goes gray all over and includes hairy suede accenting. Not only does the Grey Coco provide a unique take on the nearly two-year-long run of the signature sneaker style, but it will also stand in sharp contrast to other shoes seen on the Parisian clay.
*A signature sneaker is defined as a model designed in collaboration with an athlete for the specific needs of that athlete and is not an inline model that is given special “player edition” colorways or designs tied to an athlete.

Image courtesy of Lacoste

Image courtesy of Lacoste
DANIIL MEDVEDEV
Lacoste AG-LT Ultra
Daniil Medvedev is fully French when it comes to his equipment. He wields a Tecnifibre racquet, and that brand’s parent company, Lacoste, is his head-to-toe sponsor, which makes Medvedev the feature athlete when it comes to Lacoste footwear.
The Russian player added his personal Lacoste-driven logo to his gear at the start of 2023, and his 2024 French Open footwear design is no different. The color blocking on the AG-LT Ultra features a dark blue topped with white. Accents of red highlight the aesthetics, while the Medvedev logo appears in white on the heel.
A non-Medvedev version of the same shoe will be worn by Arthur Fils, a French player sporting the brand at the French Open for the first time since signing with Lacoste in late 2023.

Image courtesy of Asics

Image courtesy of Asics
NOVAK DJOKOVIC
Asics Court FF3 “Novak”
While the 2024 clay line for Asics generally softens with the Gel-Resolution 9 and Solution Speed FF 3 in various shades of blues and yellows with white, the Novak Djokovic-worn Court FF 3 Novak blasts us with red.
It’s an in-your-face reminder—his Lacoste kit will also feature a mixture of red tones—that the world No. 1 is at the top of the ATP rankings list, and he’s doing it on his own terms. It’s also a departure from the two differing blue models he wore at the last two major events earlier this year in Australia and last year in New York City.
The multitoned red on the 2024 clay version of the Court FF 3 Novak, which also features the Asics Tiger stripe in white, includes the Djokovic logo on the heel and Djokovic detailing on the tongue of the sneaker.
Djokovic signed to Asics in 2018 and wore the latest Gel-Resolution model at the time. He later switched to the Court FF model and helped market the launch of the third iteration of the shoe that released in January 2023. Asics has adorned the heel of the shoe with a “24” to again mark the number of major victories for Djokovic.





— Rafael Nadal gave an early look at his custom Nike shoes when he started practicing on the clay at Roland-Garros. His black, white, and yellow shoes—which appear to be a nod to the pair he debuted in 2005—have a touch of retro Breathe Free Max II feel to them and feature the Rafa wordmark on both the tongue and the heel. But when it came time to take the court, Nadal went with bright blue shoes to match his kit, offering up a Zoom Vapor Cage 4 Rafa with plenty of pop.
— Nike also has a neutral, French-inspired collection ready for Paris. Done up in the neutral colors the Nike line embraces for the 2024 French Open—the brand calls it sanddrift, thunder blue, gum medium brown and metallic gold—each Nike model has its own take on the colorway. The entire Nike line features the fresh colorways with graphics on the sockliners and tongues distinct to the French connection. Lace tags also feature “Nike” on one foot and “j’aime” on the other.
— It’s dragon time for Naomi Osaka. She has pulled on the Nike GP Challenge 1 Naomi Osaka shoes with a mythical dragon on the right shoe and then the “calming aura” of some of her favorite flowers on the left. The asymmetrical design is beloved by Osaka and she’s wearing yet another bold and busy shoe, just for her, at the French Open.
— Yonex is bringing out a mix of green-and-orange and sand-and-orange Eclipsion 5 clay-court models for the French Open. Expect to see Casper Ruud, Hubert Hurkacz, and Elena Rybakina sporting these colorways.
— Andy Murray isn’t afraid of both the old and the new. Making noise for switching—after a personal trial of frames—to a Yonex racquet for the French Open, his shoes remain from his Under Armour days, a deal that expired back in 2018. Under Armour is not producing new shoes for Murray, as he still just dips back into the stash he has had for years. For Roland Garros, he broke out a gray pair to match his Andy Murray Collection kit from Castore.
— Yonex has upped the brightness level for Stan Wawrinka’s player-edition Eclipsion line of shoes. His neon yellow shoes include “Stan” on the heel with a Swiss flag and icons depicting a kangaroo, the Eiffel Tower and Statue of Liberty, signifying the locations of his three major victories.
— Adidas athletes will embrace yellows, oranges, and black for the 2024 French Open colorways

Follow Tim Newcomb’s tennis gear coverage on Instagram at Felt Alley Tennis.